A mysterious group has created a sadistic venture. Kidnapping young women, they auction the rights to hunt them to millionaires with a thirst for blood – and broadcast the hunt on the dark web for the world to see.

A romantic comedy full a refreshing global perspective, SIDEWALLS is director Gustavo Taretto’s clever and moving ode to the modern people and urban landscape of Buenos Aires. Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. Her head is a mess, just like the apartment where she takes refuge. Martin and Mariana are perfect for each other– they live in the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

A Brooklyn teenager juggles conflicting identities and risks friendship, heartbreak, and family in a desperate search for sexual expression.

London, 1974. As Britain prepares for electrical blackouts to sweep across the country, trainee nurse Val arrives for her first day at the crumbling East London Royal Infirmary. With most of the patients and staff evacuated to another hospital, Val is forced to work the night shift, finding herself in a dark, near empty building. Within these walls lies a deadly secret, forcing Val to face both her own traumatic past and deepest fears.

The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off – are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?

In a top secret Cold War military project an unstoppable, malignant organism who feeds on light and energy is unleashed threatening to destroy everything in it’s path.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

Far away from the civilized world, in the deep isolation of the lonely backwoods, Carl Henry Jessup spends his days in twisted contemplation and hazy reverie of the good old days. His contempt for outsiders keeps him close to his hillbilly family home. Carrying on the family business, Carl keeps an eye out for Grade A meat.

Director Franco Zeffirelli’s beloved version of one of the most well-known love stories in the English language. Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.

A man’s affair with his family’s housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi’s primary task is watching the couple’s young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon’s oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra’s pregnancy.

Irma falls in love with Galang, her cousin who already has a wife and children. Irma is very obsessed and wants to be the only woman in Galang’s life. Irma comes to the shaman to send black magic to Galang’s wife. Since then terror and mystical disturbances, possession and death have occurred in Galang’s house. However, the threat also targeted Irma herself.

A high school social outcast and the popular girl bond through a shared love of music.