Based on a True Story, Come Together is about seven, ethnically diverse, college students who spend the night in a Hollywood Hills mansion, during the 1992 Los Angeles Riots. They escape from the fires, looting and violence in South Central, only to realize that the real drama is right under their own roof. Personalities clash and bodies merge as this all-night party reaches its climax. Strangers become friends, and enemies become lovers, when each one confronts their fears, desires, addictions and dreams.

After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.

Elango and his astrologer friend Pulivetti Arumugam come in possession of a time machine and start profiting from it. However, their meddling with time prevents the death of a gangster, who begins to wreck havoc in their lives.

Young siblings use a magic pen from Santa to wish for their parents to get back together.

Antonio, an unemployed man in the depressed post-WWII economy of Italy, at last finds a good job hanging up posters, the only requirement for which is that he must have his own bicycle. When Antonio’s bicycle is stolen, he and his son are forced to walk the streets of Rome in search of it, or else face ruin.

The European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones, is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story promptly leading him to the crime of fascism and Nazi Germany’s designs on European conquest In attempting to learn more about a seemingly noble peace effort, Jones who walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love.

Lily (76) is sure there’s nothing wrong with her. The only reason she lives in a care home is because of her husband Max’s illness: a series of strokes has reduced him to a vegetable. The fact that Lily isn’t exactly the way she used to be becomes slowly clear in the Danish drama Key House Mirror – the title refers to a memory test. It’s not easy for Lily to leave her old habits behind her and fit in with the rules of the home. Her life blossoms when she meets an 80-year-old Swedish neighbour, a charming man who gives her the attention she has long missed. Lily’s daughter, however, is not so happy with the budding romance.

Eoghan is a sound-recordist who is returning to Ireland from Berlin for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, “Silence” unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.

The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.

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The lines of real life and fantasy begin to blur, as the director starts to suspect that he may only be a character in the story manipulated by the writer in order to get him to direct the play the way she wants, but also to stimulate her creativity.

David, a young farmer from Cantal, has just had an idea: to save his farm from bankruptcy, he is going to set up a cabaret on the farm. The show will be on stage and on the plate, with good local products. He is sure, it can only work. His relatives, his mother and especially his grandfather, are more skeptical.