Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.

Remake of 1943 movie based on Eric Knight’s book, “Lassie Come Home”

World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him — during their first encounter — to pose as her husband so she can face her family.

A showdown decades in the making brings the Donovan family legacy full circle. As the events that made Ray who he is today finally come to light, the Donovans find themselves drawn back to Boston to face the past. Each of them struggles to overcome their violent upbringing, but destiny dies hard, and only their fierce love for each other keeps them in the fight.

A banker strikes up a sadomasochistic relationship with a mistress.

Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia. She couldn’t see the devilish side of her rapper, Mario, and now, Marta is afraid that Mario will stalk her again. As soon as she released from the asylum, she moves to Monica’s uncle apartment. There, she feels safe. But soon, she has trouble with her crazy neighbors. And if this wasn’t enough, a spectrum starts to haunt her, making her life impossible. Marta will have to fight against all these difficulties and manage to get her gift back before Mario finds her.

Xatar’s way from the ghetto to the top of the charts is as dramatic as it is daring: Fatih Akin’s new film is based on the autobiographical novel »Alles oder Nix« (»All or Nothing«) of the probably most authentic exponent of German gangsta rap. From the hell of an Iraqi jail, Giwar Hajabi (Emilio Sakraya) emigrated to Germany as a young boy with his family in the mid-1980s and has to start right at the bottom. There are opportunities, but far more obstacles. Giwar’s rise from petty criminal to major dealer is swift. Until one shipment goes missing. In order to clear his debts with the cartel, he plans a legendary gold heist. But just as everything goes wrong, another door opens for Giwar thanks to his passion for music …

A film that celebrates the aspiration of Bobby, who wants to become the number one detective in the old city area of Hyderabad.

When Colin Warner was wrongfully convicted of murder, his best friend Carl King devoted his life to proving his innocence.

In the near future, Uffizi and Luke travel to the remote reaches of war torn Romania to rescue Elizabeth and finish the vampire once and for all. Along the way, they encounter TV news journalist and a corps of rebels trying to fight the vampire uprising which plagues their country.

The Last Man Alive Must Battle a Planet of the Dead. [An Asylum film.]

Three bizarre horror stories ending with the story of an African doll out for blood.