In this hard-edged urban drama, when a shocking murder is committed in a Hispanic neighborhood in East Lost Angeles, the local residents are up in arms and demand action from the police. When the cops prove slow to investigate the killing, the local street gangs who prowl the area put aside their differences and set out to find the murderer themselves.
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On Any Sunday, The Next Chapter” is an exploration into the two-wheeled world of motorcycle riding. The film journeys deeper into the humanity, thrills and excitement behind the global culture of motorcycle riding. We meet those who are bonded by their passion for the race, we experience the exhilaration of the ride and we witness the love of family and friendship as each individual seeks out their next thrilling moment on the bike.
About a race of alien robots that have conquered Earth and forced humanity underground. After 400 years, a small group of humans develop a plan to defeat the mechanical invaders in the ultimate battle between man and machine.
A kidnapper disappeared 15 years ago without a trace. Five days before the case’s statute of limitations expires, someone anonymously leaves a flower at the crime scene. A few days later, another kidnapping takes place using the same method on a similar target.
As each member of the Holloway family work to solve their problems, they prepare for Mopelola’s party, clearly to become the year’s biggest society event. But the buzz about the party compels the Asset Management Corporation to foreclose on ST. IVES, the family business, after the death of his God Father Baba Eko who had been protecting Akin Holloway. He must then fight a bigger battle – getting Mopelola to cancel her party and maintain a low profile to get them off the radar, while he tries to save the business.
Bestselling author Angela Young needs to get away from the media circus surrounding her book, but her boyfriend/manager Brad is too busy making deals to listen. Determined to take a break, Angela pulls a disappearing act and drives off to see the fall foliage.
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
America is in the midst of the Depression, and the Kamp family is struggling to get by, especially after Mrs. Kamp’s untimely death. Now little Ruthie, with her mother gone and her father overwhelmed by doctor bills resulting from her brother’s polio, expects another Christmas without presents or festivities. But when her father brings home one dollar in change and lets the children use it to buy special gifts for each other, the Kamps come to find that money isn’t what fills Christmas with joy, love, and miracles.
The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.
A lonely young boy feels different from everyone else. Desperate for a friend, he seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses the boy’s devices against him to break into our world, his parents must fight to save their son from the monster beyond the screen.
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