Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

A behind-the-scenes documentary pieced together from over 100 hours of footage showing not just the preparation that went into Katy Perry’s Super Bowl performance but the nerve it took to pull off such a massive, career-defining performance.

All too often, every great female rock musician has to answer a predictable question – what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels – the rock chick, the girl band or one half of the rock ‘n’ roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock’s frontline to discover if it has always been different for the girl in a band.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

A bold, feminist film about how the vagina has shaped our view of the world and the shame around female sexuality. Women from 19 to 77 years old talk about puberty, menstruation, birth, motherhood, infertility, menopause, pleasure, sex, pain, trauma, gender, sexuality, cancer, rape and FGM.

In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.

Two formidable Native American women, both chief judges in their tribe’s courts, strive to reduce incarceration rates and heal their people by restoring rather than punishing offenders, modeling restorative justice in action.

The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

Stephen Hawking has warned that the creation of powerful artificial intelligence will be “either the best, or the worst thing, ever to happen to humanity”. Inspired by Brian Christian’s study The Most Human Human: What Artificial Intelligence Teaches Us About Being Alive, the filmmakers set out on an international investigation highlighting the effects of AI – scenes from our daily lives destructive and constructive.

Documentary on Great White Sharks from the creators of PULSE, WILD OCEAN and THE LAST REEF.

When Princess Diana’s life was cut short by a tragic car accident, the entire world mourned her loss. Now, 20 years after her death, Princess Diana: Tragedy of Treason? sheds light on the life and death of one of history’s most beloved figures.

This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.