A filmmaker is granted unprecedented access to a political candidate and his family as he runs for President.
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The story of a family of meerkats living in the Kalahari Desert in South Africa.
A boy with a massive facial skull deformity and biker gang mother attempts to live as normal a life as possible under the circumstances.
The story bases on four Finnish brothers, nicknamed ‘the Eura Daltons’ who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.
Follows the two of the most respected men in underground music, Roger Miret and Vinnie Stigma of the band Agnostic Front.
Lane Speer is a 16 year old girl who spends her family vacations camping in the mountains. She takes the memories for granted until she loses her father to an unexpected bout with cancer. Only a year later, as Lane is still reeling from her father’s death, he mother remarries a guy that Lane hardly knows. Worst of all, he is a Mormon. To top it off, while they are on their honeymoon, they arrange to have her stay with her Mormon step-aunt who takes her away to a bible-themed girls camp with a bunch of young Mormon girls. Confronted with memories of camping with her family, she tries to find peace with her new surroundings and deal with the death of her father.
When Jet’s parents need to return to their home planet, Sean and Sydney join the Propulsion family on an epic adventure to Bortron 7!
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
Mowgli’s on a mission to prove he’s a real howling, prowling wolf. But a jealous cub and his creature co-horts will stop at nothing to keep him out of the pack!
Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell’s landmark 1976 exhibition, “Two Centuries of Black American Art.”
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