Steve and Nicky are both on their second marriages and have decided that moving to the countryside from the city is the answer to all their dreams. They’ve watched all the TV relocation shows and read the glossy lifestyle magazines and fell in love with the idea of ‘getting away from the rat race’.

A look at the personal and professional lives of employees at an American news magazine in the late 1960s.

Hong Ra On, disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Lee Young – future Crown Prince Hyomyeong. Hong Ra On is unaware that he is the Crown Prince and Lee Young is unaware that Hong Ra On is a woman. The Crown Prince becomes interested in Hong Ra On. His eunuchs become aware of this and attempt to get Hong Ra On to become one of them.

Rebecka Martinsson from Kiruna has not really found herself despite her big successes at a law firm in Stockholm. When a friend from her childhood passes away, Rebecka returns to Kiruna where she’s drawn into a thrilling hunt for a killer.

Both a gift and a curse, Graham has the extraordinary ability to think like his prey—he sees what they see, feels what they feel. But while Graham is pursuing an especially troubling, cannibalistic murderer, Special Agent Jack Crawford teams him with a highly respected psychiatrist – a man with a taste for the criminal minded – Dr. Hannibal Lecter.

At a top Paris talent firm, agents scramble to keep their star clients happy—and their business afloat—after an unexpected crisis.

A diamond dealer navigates the culturally diverse and treacherous world of the diamond business.

Albert & Herbert was a Swedish comedy series that ran in 1974, 1976–1979, 1981–1982, an advent series and a theatre play titled Mordet på Skolgatan 15, and had a spin-off series in 1995. Albert & Herbert, which featured father and son scrap-dealers living together, was an adaptation of Ray Galton and Alan Simpsons’s BBC series Steptoe and Son from the 60s and 70s.

Albert was played by Sten-Åke Cederhök, and the son Herbert played by Tomas von Brömssen. During the first six episodes, Herbert was played by Lennart Lundh. The characters lived in a dilapidated wooden house in Skolgatan 15, in Haga, Gothenburg.

WWE Raw is a professional wrestling television program that currently airs live on Monday evenings on the USA Network in the United States. The show debuted on January 11, 1993. WWE Raw moved from the USA Network to TNN in September, 2000 and then to Spike TV in August, 2003 when TNN was rebranded. On October 3, 2005 WWE Raw returned to the USA Network.

Since its first episode, WWE Raw has broadcast live from 203 different arenas in 169 cities and towns in ten different nations. As of the show’s 1,000th episode, airing on July 23, 2012, WWE Raw has become a three-hour broadcast from two-hours, a format that had previously been reserved for special episodes.

Notable and notorious personalities share their most candid party stories with help from emerging artists and animators.

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Blue’s Clues is an American children’s television show that premiered on September 8, 1996 on the cable television network Nickelodeon, and ran for ten years, until August 6, 2006. Producers Angela Santomero, Todd Kessler and Traci Paige Johnson combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn. It was hosted originally by Steve Burns, who left in 2002 to pursue a music career, and later by Donovan Patton. Burns was a crucial reason for the show’s success, and rumors that surrounded his departure were an indication of the show’s emergence as a cultural phenomenon. Blue’s Clues became the highest-rated show for preschoolers on American commercial television and was crucial to Nickelodeon’s growth. It has been called “one of the most successful, critically acclaimed, and ground-breaking preschool television series of all time”. A spin-off called Blue’s Room premiered in 2004.

The show’s producers and creators presented material in narrative format instead of the more traditional magazine format, used repetition to reinforce its curriculum, and structured every episode the same way. They used research about child development and young children’s viewing habits that had been conducted in the thirty years since the debut of Sesame Street in the U.S. They revolutionized the genre by inviting their viewers’ involvement. Research was part of the creative and decision-making process in the production of the show, and was integrated into all aspects and stages of the creative process. Blue’s Clues was the first cutout animation series for preschoolers, and resembled a storybook in its use of primary colors and its simple construction paper shapes of familiar objects with varied colors and textures. Its home-based setting was familiar to American children, but had a look unlike other children’s TV shows. A live production of Blue’s Clues, which used many of the production innovations developed by the show’s creators, toured the U.S. starting in 1999. As of 2002, over 2 million people had attended over 1,000 performances.