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Stephanie McMahon pairs a WWE Superstar with a young woman struggling with a personal issue that has been holding her back

Follow the lives of ambitious miners as they head north in pursuit of gold. With new miners, new claims, new machines and new ways to pull gold out of the ground, the stakes are higher than ever. But will big risks lead to an even bigger pay out?

From Southern Texas to the Middle East, professional skateboarder Rick McCrank explores the weird, wonderful and obscure groups outside the mainstream in the world of skating.

An environmental police officer uncovers a hidden world of mythological entities from Brazilian folklore when he finds a connection between the mysterious appearance of a dead river dolphin on a Rio de Janeiro beach and the death of his beloved wife.

Three-part series that looks at a year in Alaska, revealing the stories of pioneering Alaskans, both animal and human, as they battle the elements and reap the benefits of nature’s seasonal gold rush.

Good Eats is a television cooking show, created and hosted by Alton Brown, which aired in North America on Food Network and Cooking Channel. Likened to television science educators Mr. Wizard and Bill Nye, Brown explores the science and technique behind the cooking, the history of different foods, and the advantages of different kinds of cooking equipment. The show tends to focus on familiar dishes that can easily be made at home, and also features segments on choosing the right appliances, and getting the most out of inexpensive, multi-purpose tools. Each episode of Good Eats has a distinct theme, which is typically an ingredient or a certain cooking technique, but may also be a more general theme such as Thanksgiving. In the tenth anniversary episode, Alton Brown stated that the show was inspired by the idea of combining Julia Child, Mr. Wizard, and Monty Python. On May 11, 2011, Alton Brown announced that the series would come to a close, ending production at episode 249.

Crime Story is an American TV drama, created by Gustave Reininger and Chuck Adamson, that premiered in 1986 and ran for two seasons on NBC. The executive producer was Michael Mann, who had left his other series Miami Vice to oversee Crime Story and direct the film Manhunter. The show premiered with a two-hour pilot — a movie which had been exhibited theatrically — and was watched by over 30 million viewers. It was then scheduled to follow Miami Vice on Friday nights, and continued to attract a record number of viewers. NBC then moved the show to Tuesdays at 10 pm opposite ABC’s Moonlighting, hurting its ratings to the point that NBC ordered its cancellation after only two seasons.

Set in the early, pre-Beatles 1960s, the series depicted two men — Lt. Mike Torello and mobster Ray Luca — with an obsessive drive to destroy each other. As Luca started with street crime in Chicago, was “made” in the Chicago Outfit and then sent to Las Vegas to monitor their casinos, Torello pursued Luca as head of a special Organized Crime Strike Force. Torello, his friend Ted Kehoe, and Luca had grown up in Chicago’s “The Patch” neighborhood, also called “Little Sicily” or “Little Italy” and the haunt of the Forty-Two Gang. The show attracted both acclaim and controversy for its serialized format, in which a continuing storyline was told over an entire season, rather than being episodic, as was normal with shows at the time.

A behind-the-scenes look at the Bronx Zoo focuses on its thousands of animals, hundreds of employees and mission to conserve wildlife around the world.

This hidden-camera series follows four lifelong friends — Brian “Q”‘ Quinn, James “Murr”‘ Murray, Joe Gatto and Sal Vulcano — who take dares to an outrageous level. To find out who is best under pressure, the guys compete in awkward and outrageous hidden-camera hijinks with the loser performing what is deemed to be the most-mortifying challenge yet.

A missing FBI agent reappears six years after being declared dead.

Public Enemy’s Chuck D leads a cast of hip-hop icons and leading African-American and Latino cultural commentators as they chart the factors that led to the birth of the revolutionary art form of hip-hop in 1970s New York, as well as the creation of the seminal hit The Message.

They evoke a picture of how, after the turbulence of the 60s and the civil rights struggles, desperate social conditions and the experience of countless dispossessed people of colour living in a city mired in crisis helped give birth to a new art form.