Earth: Final Conflict is a Canadian science fiction television series based on story ideas created by Gene Roddenberry, and produced under the guidance of his widow, Majel Barrett-Roddenberry. It was not produced, filmed or broadcast until after his death. It ran for five seasons between October 6, 1997, and May 20, 2002.

The original title for the show was Battleground: Earth, but the producers changed it because it sounded too much like L. Ron Hubbard’s novel, Battlefield Earth. The executive producer was Majel Barrett-Roddenberry. She also appeared in some early episodes as the character Dr Julianne Belman. Barrett was in possession of notes Roddenberry kept of story and series ideas; after his death, these notes provided the basis for this series.

On their dying planet, the Autobots and Decepticons battle fiercely for control of the AllSpark in the Transformers universe’s origin story.

FollowtheactionastwoAussieadventurerstacklesomeofthemostremoteandunforgivingterrain.Armedwithingenuity,grit,afewboy’stoys,andabigdoseof’crazy’,JaseandSimonpushthemselvesandtheirgeartobreakingpoint.

The story of several young people from around the world who represent the next stage in human evolution, possessing special powers, including the ability to teleport and communicate with each other telepathically. Together they work to defeat the forces of evil.

Follow the heroic adventures of the Skylanders team, a group of heroes with unique elemental skills and personalities who travel the vast Skylands universe, protecting it from evil-doers and showing the next wave of Academy cadets how to do things the “Skylander way.”

Our Urban Myths are stories that have been passed down over time and have now become part of urban folklore. But are they true? We take a slightly tongue in cheek, mischievous – and deliberately ambiguous – look at what might have happened…

ReGenesis is a Canadian television program produced by The Movie Network and Movie Central in conjunction with Shaftesbury Films. The series, which ran for four seasons, revolves around the scientists of NorBAC, a fictional organization with a lab based in Toronto. The organization investigates problems of a scientific nature, such as bio-terrorism, mysterious diseases or radical changes in environment throughout Canada, the United States, and Mexico. NorBAC is headed by David Sandström, the chief scientist and molecular biologist. Through this character the show often addresses topical social, political and ethical issues related to the science at hand.

The series was originally seen on The Movie Network and Movie Central with rebroadcasts on Global and Showcase in Canada. Internationally it can be seen on FX in the United Kingdom, The Science Channel, Halogen TV and in syndication and CW Plus in the United States, and FX Latin America in Mexico; as well as numerous broadcasters in Europe and Asia. International distribution is handled by Oasis International. As of April 2012 the show can also be seen on Hulu.com.

The series takes viewers on the ultimate retreat—transporting them to a vast array of colorful and calming corners of the world. Viewers travel to blue glaciers, arid deserts, lush rainforests and pulsating metropolises to escape from the cacophony of everyday life.

Leo is an ordinary teenager who has moved into a high-tech “smart” house with his mother, inventor stepfather and Eddy, the computer that runs the house. Leo’s life becomes less ordinary when, one day, he discovers a secret underground lab that houses three experiments: superhuman teenagers. The trio — Adam, the strong one, Bree, the fast one and Chase, the smart one — convinces Leo and his parents to let them leave their lab and join Leo at school, where they try to fit in while having to manage their unpredictable bionic strengths. As Leo figures out a way to keep his new pals’ bionic abilities a secret, they help him build self-confidence.

The story of the town and people who live above “The Loop,” a machine built to unlock and explore the mysteries of the universe – making things possible that were previously relegated only to science fiction.

Supercar was a children’s TV show produced by Gerry Anderson and Arthur Provis’s AP Films for ATV and ITC Entertainment. 39 episodes were produced between 1961 and 1962, and it was Anderson’s first half-hour series. In the UK it was seen on ITV and in the US in syndication. The format uses puppets in a technique called supermarionation, a name that was first seen in the closing titles of the last 13 episodes.

The plot of the show consisted of Supercar, a vertical takeoff and landing craft invented by Rudolph Popkiss and Horatio Beaker, and piloted by Mike Mercury. On land it rode on a cushion of air rather than wheels. Jets in the rear allowed it to fly like a jet and retractable wings were incorporated in the back of the car. Retrorockets on the side of the car slowed the vehicle. The car used “Clear-Vu”, which included an inside television monitor allowing the occupant to see through fog and smoke. The vehicle was housed in a laboratory and living facility at Black Rock, Nevada, U.S.A. In the show’s first episode, “Rescue”, the Supercar crew’s first mission is to save the passengers of a downed private plane. Two of the rescued, young Jimmy Gibson and his pet monkey, Mitch, are invited to live at the facility and share in the adventures.

Gary is a cantankerous, aging demon slayer who has nothing left to lose. Burdened by his “chosen one” status and backed by a team of specialists he can’t relate to, Gary struggles to keep interest in the Earth-saving duty he never asked for and doesn’t want.