A year after a subglacial volcano erupts, mysterious elements from prehistoric times emerge from the melting ice, bringing unforeseen consequences.

After years of facing megalomaniacal supervillains, monsters wreaking havoc on Metropolis, and alien invaders intent on wiping out the human race, The Man of Steel aka Clark Kent and Lois Lane come face to face with one of their greatest challenges ever: dealing with all the stress, pressures and complexities that come with being working parents in today’s society.

Dexter’s Laboratory is an American comic science fiction animated children’s television series created by Genndy Tartakovsky for Cartoon Network. The series follows Dexter, a boy-genius with a secret laboratory filled with his collection of inventions. He constantly battles his sister Dee Dee, who always gains access despite his best efforts to keep her out, as well as his arch-rival and neighbor, Mandark. The series’ first two seasons contain additional segments: Dial M for Monkey, which focuses on Dexter’s pet lab monkey-turned-superhero, and The Justice Friends, about a trio of superheroes who share an apartment.

Tartakovsky first pitched the series to Hanna-Barbera’s animated shorts showcase World Premiere Toons, basing it on student films he produced while attending the California Institute of the Arts. Four shorts were created and broadcast on Cartoon Network in 1995 and 1996 before viewer approval ratings convinced the network to order a 13-episode first season, which premiered on April 28, 1996. By 1999, 52 episodes and a television movie had been produced, and Tartakovsky then left the series to begin work on his other projects, Samurai Jack and Star Wars: Clone Wars. In 2001, the network revived the series under a different production team at Cartoon Network Studios, and after 26 more episodes, the series ended on November 20, 2003.

Set twenty years after the events of Star Trek Nemesis, we follow the now-retired Admiral Picard into the next chapter of his life.

Captain Power and the Soldiers of the Future is a 1987–88 Canadian-American science fiction/action television series, merging live action with animation based on computer-generated images, that ran for 22 episodes in Canadian and American syndication. A toy line was also produced by Mattel, and during each episode there was a segment that included visual and audio material which interacted with the toys.

In the near future, four foster kids encounter an alien being that travels the galaxy collecting the last animal of any species before they become extinct. After saving the final elephant, an accident causes the alien ship to crash into the foster kids’ farm. Now its up to Johnny, Tabby, Finn and Julia to fix the alien’s ship and get it and its invaluable cargo off of Earth before government agents find and capture them all.

Relic Hunter is an anglophone Canadian television series, starring Tia Carrere and Christien Anholt. Actress Lindy Booth also starred for the first two seasons; Tanja Reichert replaced her for the third. It was inspired by the success of the video game Tomb Raider.

It centers around Sydney Fox who is a professor but primarily a globe-trotting “relic hunter”, looking for ancient artifacts to return to museums and/or the descendants of the original owner. She is aided by her linguistic assistant Nigel and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money. The series includes fantasy and science fiction elements, with many of the relics featured having genuine supernatural powers or being pieces of unusually advanced technology.

It ran for three seasons in the U.S. between 1999 and 2002 after fulfilling its initial three-season, 66-episode contract, from which it was not renewed. In both Ireland and the United Kingdom, it is aired on Sky1 and subsidiary channels, while in Canada, it is aired on CityTV and Space, CTV’s sister network A-Channel and recently Showcase. The series was shot in the Toronto area, explaining Carrere’s frequent attendance in courtside seats at Toronto Raptors games during the time.

The six-person crew of a derelict spaceship awakens from stasis in the farthest reaches of space. Their memories wiped clean, they have no recollection of who they are or how they got on board. The only clue to their identities is a cargo bay full of weaponry and a destination: a remote mining colony that is about to become a war zone. With no idea whose side they are on, they face a deadly decision. Will these amnesiacs turn their backs on history, or will their pasts catch up with them?

The adventure takes place in the futuristic Kingdom of Knighton. It focuses on the Nexo Knights as they journey to defeat Jestro the evil jester, the Book of Monsters, and their lava monster army. Clay leads the Nexo Knights, which include Macy, Lance, Aaron, and Axl. Together, under their mentor Merlok 2.0, they band together to defeat Jestro.

The Six Million Dollar Man is an American television series about a former astronaut with bionic implants working for a fictional government office known as OSI. The series is based on the Martin Caidin novel Cyborg, which was the series’s proposed title during pre-production. Following three television movies aired in 1973, The Six Million Dollar Man aired on the ABC network as a regular series for five seasons from 1974 to 1978. The title role of Steve Austin was played by Lee Majors, who subsequently became a pop culture icon of the 1970s. A spin-off series, The Bionic Woman, ran from 1976-78. Several television movies featuring both eponymous characters were also produced between 1987 and 1994.

Set in a dystopian future when women have stopped having children, “The Lottery” reveals a world staring down the barrel of impending extinction. Remarkably, 100 embryos are successfully fertilized and a national lottery is held to decide the surrogates. As conflict, control and mystery over this global crisis unfolds, the government’s interests and power begin to dominate, igniting a highly controversial debate over our fundamental and personal freedom to raise a family.

A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.