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A locally famous radio host has to deal with his ex-wife, who he still loves, and his two children.
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Empty Nest is an American sitcom that originally aired on NBC from 1988 to 1995. The series was created as a spin-off of The Golden Girls by creator and producer Susan Harris. For its first three seasons, Empty Nest was one of the year’s top 10 most-watched programs. It was produced by Witt/Thomas/Harris Productions in association with Touchstone Television.
The show concept borrowed some elements from the British comedy series Father, Dear Father, also featuring a father living with his two daughters and large dog. However, unlike that series, the two daughters in Empty Nest are self-supporting adults, and the lead character is a widower.
Empty Nest was part of NBC’s Saturday night block of programming, and during its first four seasons it aired at 9:30pm ET, directly following The Golden Girls.
Two of the cast were alumni from one of Susan Harris’ earlier shows, Soap; Mulligan was Manoff’s father-in-law in Soap.
Five men – Tim Heidecker, Eric Wareheim, Ron Auster, Ben Hur, Tennessee Luke – and Eric’s wife Megan, all living under one roof.
The series stars Gary Coleman and Todd Bridges as Arnold and Willis Jackson, two African American boys from Harlem who are taken in by a rich white Park Avenue businessman named Phillip Drummond and his daughter Kimberly, for whom their deceased mother previously worked. During the first season and first half of the second season, Charlotte Rae also starred as the Drummonds’ housekeeper, Mrs. Garrett.
While trying to make their teacher fall for a basketball coach, four misfits and a model student find friendship, love and the courage to be themselves.
Follow the heroic adventures of the Skylanders team, a group of heroes with unique elemental skills and personalities who travel the vast Skylands universe, protecting it from evil-doers and showing the next wave of Academy cadets how to do things the “Skylander way.”
This dramedy series set in 1980 revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island home town.
Bill Nye the Science Guy is an educational television program that originally aired from September 10, 1993 to June 20, 1998, hosted by William “Bill” Nye and produced by Buena Vista Television. The show aired on PBS Kids and was also syndicated to local stations. Each of the 100 episodes aims to teach a specific topic in science to a preteen audience. The show is frequently used in schools as an education medium, and it still airs on some PBS stations for this reason.
Created by comedian Ross Shafer and based on sketches on KING-TV’s sketch program Almost Live!, Bill Nye the Science Guy was produced by Disney Educational Productions and KCTS-TV of Seattle.
Bill Nye the Science Guy won nineteen Emmy Awards during its run.
Tommy is bitten by a werewolf during a camping trip a week before the start of his senior year. After becoming a werewolf, he fights against supernatural entities to keep his hometown of Pleasantville safe.
Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.
The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.
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