Superbook, also known as Animated Parent and Child Theatre, is an anime television series initially produced by Tatsunoko Productions in Japan in conjunction with the Christian Broadcasting Network in the United States and more recently solely produced by CBN for global distribution and broadcast.

The series chronicled the events of the Bible’s Old and New Testaments in its 52 episode run. The first 26 episodes aired from October 1, 1981 to March 29, 1982. The series returned as Superbook II with 26 episodes to air from April 4, 1983 to September 26, 1983. Between both series in the first run was the companion series The Flying House. The Christian Broadcasting Network is currently producing a new Superbook series and has released fourteen episodes.

The original series was broadcast on TV Tokyo, Fuji Television, and on various local stations across Japan, achieving good ratings during its broadcast run. The English version was aired on CBN Cable, and in syndication. It was previously seen on the Trinity Broadcasting Network, but is currently off the schedule.

The Avengers: Earth’s Mightiest Heroes is an American animated television series by Marvel Animation in cooperation with Film Roman, based on the Marvel Comics superhero team the Avengers. The show debuted both on Disney XD and online in the fall of 2010, starting with a 20-part micro-series.

Marvel Entertainment, LLC and Disney XD announced a “new Marvel Universe” programming block, named Marvel Universe, which began broadcasting in April 2012 and included the second season of Earth’s Mightiest Heroes! and the animated series Ultimate Spider-Man.

The series initially features a team based on the roster for the original Avengers, composed of Iron Man, Giant-Man, Hulk, Thor, and Wasp. The team is later joined by Captain America, Black Panther, and Hawkeye in the first season, and Ms. Marvel and Vision in the second season. In terms of overall tone and style, the series is based principally on the original stories by Stan Lee and Jack Kirby. However, it also tends to utilize material from all eras of the comic’s run as well as other sources, such as the Marvel Cinematic Universe.

The series was replaced by Marvel’s Avengers Assemble, which premiered on July 7, 2013.

As ruler of the kingdom, Unikitty has busy days full of royal responsibilities. Unikitty is most interested in making sure everyone is happy and ridding the kingdom of negativity, but don’t misunderstand her optimism, she is one kitty not to be crossed. While she may be full of boundless energy and creativity, Unikitty is a force to be reckoned with if anyone gets in the way of spreading her positive vibes, especially if anyone makes her little brother and best friend, Puppycorn, sad. Also living in the castle are Dr. Fox, the resident scientist, and Unikitty’s trusty bodyguard, Hawkodile. Through it all, Unikitty and her friends make sure that every day is the happiest and most creative ever.

In the near future a new phenomenon starts happening all over the world with powerful flashes of light occurring in the ocean and people from the past mysteriously reappearing. Called “beforeigners,” these people come from three separate time periods: the Stone Age, the Viking era and late 19th century. A couple of years later, Alfhildr – who comes from the Viking Age – has to partner up with a burned-out police officer, Lars Haaland, to investigate the murder of a beforeigner. The pair begins to unravel a larger conspiracy behind the origin of the mysterious mass arrivals.

Follow a younger Patrick Star living at home with his family, where he hosts his own variety show for the neighborhood from his television-turned-bedroom.

A contemporary British re-working of The Twilight Zone with stories that tap into the collective unease about our modern world. 

Over the last ten years, technology has transformed almost every aspect of our lives before we’ve had time to stop and question it. In every home; on every desk; in every palm – a plasma screen; a monitor; a smartphone – a black mirror of our 21st Century existence.

In the near future a family must make difficult decisions as they balance staying together with trying to survive. They live in Los Angeles, which has been occupied by a force of outside intruders. While some people have chosen to collaborate with the authorities and benefit from the new order, others have rebelled — and suffer the consequences.

Harley Quinn has finally broken things off once and for all with the Joker and attempts to make it on her own as the criminal Queenpin of Gotham City.

Nearly 40 years ago aliens crash-landed in the UK. They look like us, but are forced to live in a ghetto. Border control officer Lewis falls in love with one.

The adventures of a caring and graceful 8-year-old princess, who’s also a brave, determined knight.

Max Headroom is a British-produced American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 1987 to May 1988. The series was based on the Channel 4 British TV pilot produced by Chrysalis, Max Headroom: 20 Minutes into the Future. The series is often mistaken as an American-produced show due to the setting and its use of an almost entirely US cast along with being broadcast in the USA on the ABC network. Cinemax aired the UK pilot followed by a six-week run of highlights from The Max Headroom Show, a music video show where Headroom appears between music videos. ABC took an interest in the pilot and asked Chrysalis/Lakeside to produce the series for US audiences.

The show went into production in late 1986 and ran for six episodes in the first season with eight being produced in season two.

Leo is an ordinary teenager who has moved into a high-tech “smart” house with his mother, inventor stepfather and Eddy, the computer that runs the house. Leo’s life becomes less ordinary when, one day, he discovers a secret underground lab that houses three experiments: superhuman teenagers. The trio — Adam, the strong one, Bree, the fast one and Chase, the smart one — convinces Leo and his parents to let them leave their lab and join Leo at school, where they try to fit in while having to manage their unpredictable bionic strengths. As Leo figures out a way to keep his new pals’ bionic abilities a secret, they help him build self-confidence.