After 18 years of marriage, high school sweethearts Bill and Judy Miller still make each other laugh and try to keep their marriage intact, even when their family pulls them in different directions. Since Bill has a far more immature approach to marriage and raising their three children than Judy does, they work at striking a balance and remembering why they love each other, quirks and all.

After You’ve Gone was a British comedy that aired on BBC One from 12 January 2007 to 21 December 2008. Starring Nicholas Lyndhurst, Celia Imrie, Dani Harmer and Ryan Sampson, After You’ve Gone was created by Fred Barron, who also created My Family. The writers include Barron, Ian Brown, Katie Douglas, James Hendie, Danny Robins, Andrea Solomons and Dan Tetsell. Three series and two Christmas specials aired, and work on scripts for a fourth series had already begun when the BBC withdrew the commission in November 2008 and cancelled the series.

Elegant, proper Grace and freewheeling, eccentric Frankie are a pair of frenemies whose lives are turned upside down – and permanently intertwined – when their husbands leave them for each other. Together, they must face starting over in their 70s in a 21st century world.

An always inappropriate, fearless and unapologetic former trophy wife masquerades as a teacher in order to find a new man after her wealthy husband leaves her penniless.

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A pair of scheming ex-lovers attempt to exploit others by using the power of seduction. TV adaptation of Pierre Choderlos de Laclos’ classic 18th Century novel “Les Liaisons Dangereuses”.

The exploits of FBI Special Agents Fox Mulder and Dana Scully who investigate X-Files: marginalized, unsolved cases involving paranormal phenomena. Mulder believes in the existence of aliens and the paranormal while Scully, a skeptic, is assigned to make scientific analyses of Mulder’s discoveries that debunk Mulder’s work and thus return him to mainstream cases.

A brilliant radio journalist, husband, and father of two is about to do something crazy — quit his job and start his own company. He quickly discovers it’s going to be a lot harder than he thought.

A locally famous radio host has to deal with his ex-wife, who he still loves, and his two children.

Witness the crime busting techniques and forensic science used by the FBI to break the most baffling cases. From crime scene analysis to the most up-to-date laboratories, FBI agents relentlessly comb through mountains of evidence to narrow their search, ultimately prevailing over the perpetrators and bringing them to justice.

The story of a wealthy family that lost everything, and the one son who had no choice but to keep them all together.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.