Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.

In a depressed Texas town, British foreign exchange teacher Anna attempts to inject some life into her hopeless kids by introducing them to soccer. They’re terrible at first, but Anna and her football-hero assistant whip them into shape. As they work overtime, the pair help kids build their self-esteem and also get involved in solving family squabbles.

When strangers Jim, Eva, Emily and Mo meet William online in his new ‘Chelsea Teens!’ chatroom, they’re completely seduced by his fast-talking, charismatic character. But beneath the surface lies a much darker truth. William is a dangerous loner, channeling all his energies into cyberspace. He’s become an analyser, a calculating manipulator who finds it almost impossible to interact normallywith others in the real world, instead turning his hand to manipulating people online. When the timid Jim opens up to William, it sparks a fascination that quickly turns into a dark downward spiral, with the twisted antagonist coercing the rest of the group to become pawns in his deadly game. As the cat-and-mouse situation escalates to devastating heights, can William’s anti-social networking be brought to an end?

Hip Hop duo Kid & Play return in the second follow-up to their 1990 screen debut House Party. Kid (Christopher “Kid” Reid) is taking the plunge and marrying his girlfriend Veda (Angela Means), while his friend Play (Christopher Martin) is dipping his toes into the music business, managing a roughneck female rap act called Sex as a Weapon. Play books the ladies for a concert with heavy-hitting pr

Uncle John revolves around the struggle to keep a mysterious disappearance unsolved

Herb’s life is a mess. He’s lost his welfare, can’t hold a job, can’t talk to his son, has a neighbour who won’t shut up and a diet that consists mainly of cheap beer and mushy peas. It’s no way to live and he knows it.
Then he learns from a TV news report that Danish prisoners have it way better than he does: a job, accessible healthcare, the quiet of the countryside, even an HDTV. They’re practically living in hotels.
He says goodbye (and good riddance) to his dingy flat and smuggles himself to Denmark aboard a cargo ship, landing in a quaint town with everything he needs — including a bank to rob. But when he meets a friendly local barmaid and a lovable stray dog that won’t leave his side, he begins to wonder if prison really is his only chance of a fulfilling life.

A Korean anarchist PARK Yeol and a Japanese anarchist Fumiko conspire against not only the Japan but the System of the world at the risk of their life and love.

A story where money can change the way people look at you.

Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to mens aspirations for power and wealth.

On-the-run from the London mafia, Omi returns to his ancestral village – a place he’d flown from with his grandad’s money and grander ‘London Dreams’. Will Omi be able to hide his failures while chasing love, and the lost recipe of the infamous dish, ‘Chicken Khurana’?

Christine Collins is overjoyed when her kidnapped son is brought back home. But when Christine suspects that the boy returned to her isn’t her child, the police captain has her committed to an asylum.