A three-part look at the ironies of love, with stories that involve a young boy, a hostage situation, and a divorced elderly couple caught in a love triangle.

A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.

A routine run for a truck driver turns into a nightmare he can’t escape in this psychological drama from filmmaker Sergei Loznitsa. Georgy (Viktor Nemets) is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man (Vladimir Golovin) with disturbing stories about his younger days in the Army. After next picking up a young woman (Olga Shuvalova) who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.

A distraught college student finds a phone that enables her to talk to her deceased mother in the past. Instead of a heart attack, she learns that her mother was murdered. She tries to use the phone to stop the murder from occurring before the killer finds and kills her too.

Lawrence Shaw is a run of the mill guy who just can’t get accepted for being who he is. He’s not straight enough for his job where he sells testosterone fueled ad campaigns to beer companies and he’s not stereotypically gay enough for his boyfriend. To make things worse, his father Elijah just died and his last dying wish was for Lawrence to go on a road trip with his extremely homophobic half-brother Kevin to bury his ashes. It’s a heroically dumb journey of brotherly love and acceptance that begs the age old question… Can you truly accept someone else when you can’t even accept yourself?”

After old enemies kill his family, a former mafia enforcer and his feisty daughter flee to Milan, where they hide out while plotting their revenge.

The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.

Merab has been training since a young age at the National Georgian Ensemble with his dance partner Mary. His world is suddenly turned upside down when the charismatic and carefree Irakli arrives and becomes both his strongest rival and desire. In this conservative setting Merab finds himself having to break free and risk it all.

Kenji is your typical teenage misfit. He’s good at math, bad with girls, and spends most of his time out hanging out in the all-powerful online community known as OZ. His second life is the only life he has – until the girl of his dreams, Natsuki, hijacks him for a starring role as a fake fiancé at her family reunion. Things only get stranger from there. A late-night email containing a cryptic mathematic riddle leads to the unleashing of a rogue AI intent on using the virtual world of OZ to destroy the real world. As Armageddon looms on the horizon, Kenji and his new “family” set aside their differences and band together to save the worlds they inhabit in this “near-perfect blend of social satire and science fiction.”

The tentative romance between a gentle Madrid labourer and a working single mother becomes a struggle for survival when the woman’s violent boyfriend returns from prison, in the gritty, suspenseful debut feature from Spanish actor Raúl Arévalo.

An ace police crisis negotiator, Chae-yoon, is called to the scene where her supervisor is taken hostage. Through the control room monitor, she is faced with the cold-blooded hostage taker, Tae-gu, whose demeanors are difficult to interpret. Against the 21-hour deadline Tae-gu has set, Chae-yoon tirelessly tries to crack the unusually calm perp over multiple video-calls. Eventually, the shocking truth begins to unveil.