The story behind a critical moment in American history, spawning one of most iconic images of protest from the past century. At the 1968 Summer Olympics in Mexico City, the world watched as two American runners, Tommie Smith and John Carlos, took the stage as the U.S. national anthem played, raising their fists in a symbol of black struggle and solidarity.
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Documentary about three young people, each a member of a fringe religious community, who have separated themselves from mainstream America in order to live immersed in their faiths. Set against depressed but quintessentially American landscapes – the former revivalist district of upstate New York, old mining country in the mountains of northern California, and the stark badlands of South Dakota – the film interlaces three very intimate, apolitical portraits of young individuals trying to lead more extraordinary, mystical lives.
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Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
Using personal stories, this powerful documentary illuminates the plight of the 49 million Americans struggling with food insecurity. A single mother, a small-town policeman and a farmer are among those for whom putting food on the table is a daily battle.
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Five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams.
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