Adam and Margo’s housewarming party is a success. However, one mysterious couple linger long after all the other guests have left. The couple reveals themselves to be Tom and Sasha, wealthy neighbors, but as a single nightcap leads to another, they start to suspect these new friends are actually duplicitous strangers.
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Treasure hunter Ben “Finn” Finnegan has sunk his marriage to Tess and his trusty boat in his obsessive quest to find the legendary Queen’s Dowry. When he finds a vital clue that may finally pinpoint the treasure’s whereabouts, he drags Tess and her boss, billionaire Nigel Honeycutt, along on the hunt. But Finn is not the only one interested in the gold; his former mentor-turned-enemy Moe Fitch will stop at nothing to beat him to it.
Jody Ann Howells, a survivor of the Still Rivers Massacre now working in Bail Enforcement, is on the trail of her latest perp, a young woman who is on the run after being found on the scene of a horrific murder, a young woman who may be connected to her past. As Howells closes in on her she discovers that the killer she faced all those years ago may still be alive and kicking and he has his sights on a family making a cross country road trip, only this time he’s not alone.
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
Séverine is haunted by a reocurring dream that makes her doubt her relationship with her boyfriend. She decides to spent a couple of days alone at the seaside to think everthing over. But instead, she’s got to face violent criminals and her own primal fears.
The coming of age summer-camp saga of four best friends who hate each other.
Ward and Bouchard must face an important car theft ring that turns out to be a lot more than they bargained for: one where the stolen cars will serve as bombs in a well planned terrorist attack.
When aspiring horror filmmakers post an online casting call looking for “real life” monsters to interview for their upcoming documentary called, The Monster Project, they find three individuals claiming to be a skin-walker, a vampire, and a demon. Meeting these monsters at a remote mansion in the woods on the night of a total lunar eclipse, the filmmakers invite the three subjects to share their haunting, personal experiences. Working on the crew is a recovering drug addict who suffers withdrawal and paranoia. As a person of faith, he fears his friends underestimate the dark powers they are summoning. When the interviews turn deadly, he must battle the demons, inside and out, to escape the house and defeat the rise of evil incarnate.
Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.
Takeoff on the Godfather with the son of a mafia king taking over for his dying father.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
There is a long-held belief that mirrors act as gateways to another dimension. ·Some also believe the looking glass plays host to a world filled with evil spirits. Such superstition has been the basis for ancient folklore legends about haunting and possession. And one tale about a supposedly haunted mirror was picked up by the media in 2012. Both the Daily Mail and Huffington Post reported on how the owners of a recently purchased antique mirror left them dogged by bad luck, financial misery, strange sightings and death-defying illness. Now writer/director Edward Boase brings that horrifying story to the screen starring Jemma Dallender (I SPIT ON YOUR GRAVE 2), Joshua Dickinson and Nate Fallows (‘Whitechapel’) as flatmates who buy the same eerie antique on ebay and set up round the clock cameras in the hopes of capturing evidence of bumps in the night. You have been warned!
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