Explore the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann.
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An all-new documentary celebrating 10 years of adventure, camaraderie, and /dancing on mailboxes all around Azeroth. Explore the history of WoW with its creators, and journey into corners of Blizzard and the WoW community you’ve never seen before.
I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.
9 January 2022, Olympic Stadium of Rome. Within the first thirty minutes of the game, Federico Chiesa collapsed on the ground, screaming in pain: he had ruptured the cruciate ligament in his left knee. It was the beginning of a ten-month ordeal, during which Federico had to rediscover himself, both professionally and personally. At his side will be his family, teammates, the Juventus staff
Three people try to start a pilot program to document the health benefits of a plant-based diet.
Pauly Shore Stands Alone is a true-life road documentary. The camera follows Pauly on a snowy mid-western comedy club tour, while Pauly deals with moving his ailing mother, Mitzi Shore, out of her West Hollywood mansion of 40 years.
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A harrowing, unflinching look at the devastating effects of opioid addiction in the U.S. told from the perspectives of four families devastated by the deadly epidemic.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.
Starting with a scientific argument in regards to the Sasquatches and Bigfoot issue, this film covers the chronological history of the creature from ancient to present day. Researchers and scientists cover the hardest questions in regards to proving this creature is real. Looking at photographic, video, and scientific fact based trace evidence from credible encounters with these creatures. What was it related to in the fossil record? We analyze the fossil evidence compared to eye witness accounts of the creature which may still exist today. Bill Miller and Thomas Steenburg uncover the harsh truths about why this creature won’t be taken seriously by the mainstream scientific community and provide evidence that we are dealing with an intelligent animal. Stories and dramatic explanations about some of the more credible encounters follow. The question of whether these creatures exist should be well proven by the time the film has concluded.
Sundance-and-Emmy-Award-winning filmmaker Judy Irving (with her first film since the widely acclaimed and loved “The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges of these ancient birds, sometimes referred to as the flying dinosaurs. The film is about wildness, and asks the following questions: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? PELICAN DREAMS, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).
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