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A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.
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A colorful portrait of Miami’s pot smuggling scene of the 1970s, populated with redneck pirates, a ganja-smoking church, and the longest serving marijuana prisoner in American history.
Curmudgeon. Contrarian. Misanthrope. Naysayer. For all the people interviewed in this film, someone has used one of the above words to describe them. What have they done to deserve such labels? Everywhere these men and women go, something is being celebrated; they don’t get what all the celebration is about and they’re compelled to question it.
It’s 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the “Rumble in the Jungle” is set, including a musical festival featuring some of America’s top black performers, like James Brown and B.B. King.
The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.
In the fourth installment of his Law and Disorder series, Louis goes to through Lagos, Nigeria, and follows the KAI (Kick Against Indiscipline) task force and union leader MC as well as other gang members.
His name might not be very familiar, but the works of graphic artist Milton Glaser — whose prolific output includes the “I Love NY” ad campaign, as well as album covers for Townes Van Zandt and Nina Simone — are recognizable to many. Revisiting the famed paintings, drawings, logos, prints, posters and other works by Glaser, filmmaker Wendy Keys creates a rich and engaging mosaic of a key figure in American iconography.
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Monrovia, Indiana explores a small town in rural, mid-America and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived along with conflicting stereotypes. The film gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a way of life whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries.
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