Horrific Nazi experiments have left a surviving WWII soldier with a terrifying condition: at the sight of fresh blood, he transforms into a man-sized, blood-sucking killer insect. Refusing to let his affliction destroy him and all he loves, he instead commits himself to using his “powers” for good-by finding the people responsible and bringing them to justice.
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A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway’s 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
When a lawyer shows up at the vampire’s doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Dr. van Helsing, who may be the only one able to vanquish the count.
After the death of her Grandmother, Jane Dormant travels to the family’s remote, ancestral home hoping to receive a large inheritance. When Jane’s estranged, half-sister Jennifer arrives at Hobbes House to claim her part of the estate, the sisters’ simmering hate breaks out completely. But then a violent, unexpected storm cuts the estate off from outside help and a wave of bloodthirsty zombies lays siege. Now the sisters have to learn how to fight back together.
Malcom McDowell, Lou Diamond Phillips and Robert Englund star in three separate stories set in an eerie mental asylum.
A WWII pilot, bombardier, and radioman find themselves adrift on a lifeboat without food or water after being forced to ditch their plane during a scouting mission.
In Cameron, a group of hunters is attacked by a wild animal, and Charlie Cowley survives, but sees his brother Scott dying. Seven years later, his teenage nephew Derek Cowley steals the key of his stepfather’s cabin in the isolated Fire Road 13, and travels with four classmates and his friend Sam to spend the weekend having a party with booze and sex. However, they are attacked by a Beast that kills his friends in a sadistic way. Sam and Derek survive, and they suspect that his stepfather, Mitchell Toblat, is a werewolf. When Charlie meets Derek and Sam, they decide to collect evidence to prove that Mitchell is the Beast and kill him, but Mitchell discovers their plot and chases the trio.
World renown vampire fighter, Professor Bartholomew Dubbs is giving a weekend workshop on how to find and kill vampires at his Institute for Vampire Slaying. Little does he know that his class has been infiltrated by vampires and the leader of their coven, Camelia Bumbescu is out to kill Dubbs during the red moon to avenge the death of her lover 300 years earlier by Dubb’s great great great great great grandfather Gunter Dubbs. The good Professor has three assistants lead by by Samantha Wilson who try to help but how can they possibly compete against this odd band of misfit vampires.
Having just been fired and dumped by his wife, life couldn’t possibly be worse for independent artist GORDON HAUGE (Mark Redfield)–until he wrecks his car and finds himself in purgatory that is. Once there, he is attacked by fanatic Shadowmen and legions of Ragmen–souls being enslaved and bent to some dark purpose. Gordon is rescued by an eccentric band of freedom fighters, people from different times of history who lost their lives in noble sacrifice. They recruit the reluctant and befuddled Gordon and set off on a wild adventure through the surreal landscapes of purgatory to battle the Despiser–an evil being who now reigns in this seemingly God-abandoned halfway house north of hell and south of heaven. Dealing with shifting reality, annoying monsters, armies of Ragmen and hair-raising car chases across bridges spanning oceans of lava our heroes battle their way to the dark macabre fortress of the Despiser. Written by Philip Cook [email protected]
Afghanistan. War correspondent Elsa Casanova is taken hostage by the Taliban. Faced with her imminent execution, a Special Forces unit is dispatched to free her. In some of the world’s most breathtaking yet hostile landscapes, a relentless pursuit begins between her kidnappers who have no intention of letting their prey escape them and a group of soldiers who risk their lives in pursuit of their single aim – to bring her home alive. This strong, independent woman and these men of duty are thrown together and forced to confront situations of great danger that inextricably bind them – emotionally, violently and intimately.
A delirious sci-fi riff on the Arabian Nights’ ‘Tale of the Hunchback’, that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to ‘relax’ at company-run medieval reenactments.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
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