Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.

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Cempaka, a respected warrior and highly respected in the world of martial is a great holder of lethal weapons, Golden Cane. Cempaka will pass the weapon to one of her students. Murder and betrayal occurs before the martial world know who the heirs. Golden Cane fall into the wrong hands and can not be avoided, chaos ensued. The only person who can help take over the Golden Cane is the White Dragon Warrior, former spouse of Cempaka, which has long disappeared.

Ed and Susan might seem to be a normal, suburban American couple, but they’ve got a horrifying secret: They create and sell snuff films in their inescapable deathtrap of a home. When Ed decides to create the world’s first ‘triple feature’ – three victims, all killed in one night – the cameras hidden throughout the house capture the evening’s terrible events. As their victims suffer their gruesome fates, Ed and Susan’s relationship begins to unravel, causing their carefully laid plans to spiral into bloody chaos that will change their lives forever.

Trying to bootstrap his way out of Brooklyn’s mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he’s trying to lay down a demo tape with cut-rate studio time. To pay the bills, he and Gage run drugs for “Mr. B.” Inside a week, Diamond’s beloved mother dies suddenly, his father appears after an absence of 12 years and wants a relationship, and his girlfriend Kia tells him she’s pregnant, asking him if he’s ready to be a father. Gage steals $100,000 in a multiple-felony robbery so that Diamond can record a full album, not knowing it’s Mr. B’s money he’s taken. B wants his money, Diamond wants his music, Tia wants an answer.

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When Aurangzeb recruits his trusted soldier Udaybhan to control the Kondhana fort, Shivaji’s military leader Tanhaji Malusare and his army of Maratha warriors set out to recapture the fortress.

The directorial debut of Dustin Hoffman, Quartet is a high-drama comedy about temperamental divas and old grudges, passion and pride, romance and Rigoletto. At a home for retired musicians, the annual concert to celebrate Verdi’s birthday is disrupted by the arrival of Jean, an eternal diva and former wife of one of the residents. Expect poignancy and plenty of laughs.

Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.

A restaurant owner his ex-con brother and a policeman team up to avenge the murder of his old friends daughter by the Triad.

Lin Xiao, Gu Li, Nan Xiang, Tang Wanru – these four best friends, after waving goodbye to their school campus and entering the workforce, they are faced with various challenges in their life: friendship, love, and career. Together, they become lost in life, having long forgotten their past courage.

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.