Combining extensive filmmaker interviews and rare archival footage, Chuck Workman’s documentary takes us through the life of one of cinema’s greatest masters: Orson Welles.

Waldemar Nods, a young man from Suriname, meets the older Dutch woman Rika van der Lans and they fall in love. In pre-WWII Netherlands they could not be more different. The one black, the other white, 17 years between them and on top of that Rika already has four children with another man. They love each other, but then Rika appears to be pregnant…

Sixteen American college students drink, flirt, fight and canoodle during their Spring Break vacation in Cancun, Mexico.

Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.

People in a small German village in the last valley to remain untouched by the devastating Thirty Years’ War try to exist in peace with a group of soldiers occupying the valley.

97% owned present serious research and verifiable evidence on our economic and financial system. This is the first documentary to tackle this issue from a UK-perspective and explains the inner workings of Central Banks and the Money creation process. When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked, questions like; where does money come from? Who creates it? Who decides how it gets used? And what does this mean for the millions of ordinary people who suffer when the monetary, and financial system, breaks down? Produced by Queuepolitely and featuring Ben Dyson of Positive Money, Josh Ryan-Collins of The New Economics Foundation, Ann Pettifor, the “HBOS Whistleblower” Paul Moore, Simon Dixon of Bank to the Future and Nick Dearden from the Jubliee Debt Campaign.

Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.

Fearless alpine climbers Ueli Steck and Dani Arnold enter into a death-defying rivalry to set speed records on the Swiss Alps’ great north faces.

In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.

The Invisible Patients tells the story of Jessica Macleod, a nurse practitioner, and four homebound patients she cares for in Evansville, Indiana.

A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement.

A cinema remake of the classic sitcom Dad’s Army (1968). The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.