“I Am Steve McQueen” tells the incredible life story of this legendary actor, racer, and cultural icon. Extensive interviews, movie clips, archival footage and sound bites chronicle his extraordinary career while focusing on the correlation between his on-screen and off-screen experiences. Narrated by Robert Downey Jr.

In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.

The Prismatic World Tour Live is a sensory explosion of eye-popping theatrics, daring acrobatics and of course, all the hits. This concert film is a visually stunning production that captures Katy’s fun-loving personality and artistic vision. Spanning the entire length of the arena floor, the innovative Prismatic Tour stage allows Katy to share intimate moments with her fans in a unique shared connection with the music. Directed for the stage in seven thematic acts, this unmissable spectacle features hit after hit after hit, and The Prismatic World Tour Live truly captures the excitement, color and energy of the live Katy Perry extravaganza.

Traveling across the world including India, Brazil, Europe, Africa, Canada, and the USA – Generation Iron 3 will interview and follow bodybuilders, trainers, experts, and fans to determine what the universal ideal physique should look like. With so many divisions appearing within the bodybuilding leagues – what body type should be championed as the absolute best in the world?

In 20 years’ time, there will be nearly 1.6 billion smokers around the world. Approximately 70% of smokers want to quit. The United Nations’ World Health Organisation expects a billion people will die prematurely from smoking this century. The products their doctors recommend are rarely effective and many are trapped. A new vapour technology was invented to give smokers a successful way to quit. But it was quickly demonised, and even banned in many countries. A perfect storm is brewing between smokers trying to quit, government regulators, and health charities funded by the powerful pharmaceutical industry. Director Aaron Biebert travelled across four continents interviewing doctors, scientists, and others working to save a billion lives. What he found was profound government failure, widespread corruption in the public health community and powerful subversion by big business.

When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, ‘imitation is the sincerest form of flattery.’ From a celebrity impersonator convention to their lives across the country, JUST ABOUT FAMOUS chronicles the few who have had the fortune, or curse, of looking like the most recognizable people on the planet.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Follow Alex Honnold as he attempts to become the first person to ever free solo climb Yosemite’s 3,000 foot high El Capitan wall. With no ropes or safety gear, this would arguably be the greatest feat in rock climbing history.

G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize hip hop by developing a sophisticated and melodic new approach – merging Gangsta Rap with elements of Motown, Funk, and R&B.

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The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.

The Wedge, located at the end of the Balboa Peninsula in Newport Beach, California, is a world famous, man-made beast of a wave.