In the middle of nowhere lives a crazed and disturbed inbred family, the Barleys.
When Donna Parker (Eleni Krimitsos) and her daughter Tabitha Parker (Jada Kline) stop for gas, little do they know what really goes on in Flexh, TX.
Once Tabitha disappears from the gas station, Donna summons the help of the local sheriff (Dale Denton) who is not all he is cracked up to be.
Donna becomes convinced that somehow this crazy town is connected. After she encounters Sugar Barley (Kathleen Benner) the local town prostitute, the hunt to find her daughter is on.
She must hope she does not come across the Barley house on the edge of town. No human should ever have to see what happens in the Barley house on Flesh, TX….pop.666

Mi-ja, who has been taking care of a retired teacher, Ms Park, invites several of her former students to her house 16 years after their graduation. Since the end of her teaching career, Park has been residing in the countryside, suffering from an illness while an ex-student, the kind and pretty Mi-ja cares for her.

Carlo and Melissa stay at a seaside villa but everything changes when Melissa discovers an ancient book of demons and the ghost of a 10 year old boy that’s been dead for 40 years. She becomes possessed and it’s up to Carlo, with the help of Anna De Luca, a professor on demonology, to stop the ritual that will bring about the rebirth of a 400 year old demon.

Tracing the history of adult films, from ‘Deep Throat’ and ‘Devil in Miss Jones’ to the high-definition, big budget movies of today, this documentary chronicles the most important, critically acclaimed and sexiest movies in history. Features clips from the 32 greatest adult movies ever produced and in-depth interviews with the biggest stars in adult film history, like Jenna Jameson, Ron Jeremy, Marilyn Chambers, Christy Canyon, Jessica Drake, Georgina Spelvin, Allie Haze, Andrew Blake, Stoya, Constance Money and Kay Parker.

David Attenborough and scientist Johan Rockström examine Earth’s biodiversity collapse and how this crisis can still be averted.

A neuroscientist’s obsession with a drug that expands the human mind inadvertently unleashes a deadly supernatural force on his team.

A group of bored college students unleash a murderous demon while playing a dice game made from human knucklebones.

John Hall is a drifter who wanders into a small town in Maine. He needs a job and decides to seek employment at the community’s top business: a large textile mill. He is hired to work the “graveyard shift” — from around midnight to dawn — and, along with a few others, he is charged with cleaning out the basement. This task strikes the workers as simple enough, but then, as they proceed deeper underground, they encounter an unspeakable monstrosity intent on devouring them all.

It’s a high school summer job for Julia and Alexander – the chance to earn money and work with eccentric, charismatic social studies teacher, Mr. Zenidro. But something else awaits them in the empty, yet mysterious school building. As the past and present begin to blur together so do sanity and madness, and Mr. Zenidro draws them into a lesson on history one can’t find in books.

Separated from her fiance after sneaking onto a restricted slope, Mia, a free riding snowboarder, must survive not only against nature, but the masked snowmobile rider in black who’s out for her blood.

Sam and her friends are terrorised during a party by a group of young men on a desperate hunt for something in her house.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack