Dan signs on to travel with a mysterious stranger named Jane, laying cryptic tiles in the roads of cities across America. As they argue over what the tiles mean, they come to realize that it’s up to each of us to answer the questions that haunt us.

Hong Kong nihilism. December 22, a street quarrel leads to the death of a gang leader’s son. Next day, he seeks revenge on his brother, a rival boss. He calls on Liu, a fixer, to import a hit man from the mainland. Lai Fu, a tough and youthful hick, arrives with a day pass. The cops, led by the morose Milo, hear about the killer; they open a full-scale Christmas Eve operation to find the warring brothers and Lai Fu. Lai Fu rescues a hooker, Dan Dan, from a sadist and asks her to help him find his way around Mongkok. By nightfall, Liu has double crossed Lai Fu, the brothers are hiding, the cops are everywhere, and Lai Fu and Dan Dan are on the run. Peace on earth, good will to all?

Frustrated with the direction of the church, Cardinal Bergoglio (Jonathan Pryce) requests permission to retire in 2012 from Pope Benedict (Anthony Hopkins). Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church. Behind Vatican walls, a struggle commences between both tradition and progress, guilt and forgiveness, as these two very different men confront their pasts in order to find common ground and forge a future for a billion followers around the world.

A man breaks into a tech billionaire’s empty vacation home, but things go sideways when the arrogant mogul and his wife arrive for a last-minute getaway.

Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.

A quartet of mutated humanoid turtles clash with an uprising criminal gang of ninjas

In the 21st Century, a small town in Northern China. There are rich mineral resources in endless mountains. The owners make great fortune and step into the higher class. They change everything with money, but bring disasters to mountain farmers. They are unconscious of darks and dangers until a shepherd boy disappears one day…

Obsessive master thief, Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective, Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.

Comedy about Zdzisław Najmrodzki, most famous polish criminal in the times of Polish People Republic, named “the getaway king”, known for stealing cars and escaping prison many times, but never hurting anybody.

The story of the Arthurian legend, based on the ‘Sarmatian hypothesis’ which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.