Oskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society, he refuses to grow older after his third birthday.

Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.

Shizuka is the aristocratic wife of the president of a large company. When she wants to divorce her domineering husband, he orders his employee Yoshi, the son of an adult toy store owner, to train his wife to become sexually submissive. Yoshi has been rendered impotent due to a childhood trauma resulting from his killing a black American soldier who had been having sexual relations with his mother. During the course of his training of the masochist Shizuka, Yoshi recovers from his affliction.

A modern love story set in the near future where an AI building is powered by human feelings. Due to a software glitch, it falls in love with a real girl, escapes the building into the body of a real man, and tries to win her affections.

A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.

Two teens facing personal struggles form a powerful bond as they embark on a cathartic journey chronicling the wonders of Indiana.

Shot mainly in South East London, it’s about Micky Mason, a skilled manual worker who, since the Crash, can find nothing but menial zero hours jobs. He takes a course of action that is completely out of character, but it’s the only way he can see of keeping his family together. It is about surviving, but it’s not all anguish and despair – it’s also warm and tender, and funny. It’s about people finding their way through. It’s about Micky Mason; a man out there, right now, doing his best.

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The behind the scenes story of the life of A.A. Milne and the creation of the Winnie the Pooh stories inspired by his son Christopher Robin.

When blind former skier Sophie cat-sits in a secluded mansion, three thieves invade for the hidden safe. Sophie’s only defense is army veteran Kelly, who she meets on the See For Me app. Kelly helps Sophie defend herself against the invaders and survive.

Where is Erika Spawn and does she have blood on her hands? The Devil’s Music documents the strange story of the notorious shock-rocker whose rise to fame was marred by a series of violent incidents and terrifying rumours.