Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis’ Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael.

When the film broke out that a young man coming from a rich adopted family murdered his birth father, the controversy around the case hit a nerve with the public at large. An experiment was held through the form of virtual court inside a college to discuss this hot topic. During the process of virtual court, 12 Chinese people from different walks of life got together and discussed the case like a jury. Through intricate and thought provoking questions from the main character, people start to think more critically about the case. During this process, one sees the revelation of people’s bias and emotional-preconceptions about the suspect, about each other, and also about the society.

The struggle between two generations and its thin line between trust, friendship and betrayal.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

Inspired by actual events in the late nineties when Hasidic Jews were recruited as mules to smuggle ecstasy from Europe into the United States.

The 39-year-old Yu Hongbing is an old-fashioned third-rate boxer with a record of defeats.

When his SUV breaks down on a remote Southwestern road, Jeff Taylor lets his wife, Amy, hitch a ride with a trucker to get help. When she doesn’t return, Jeff fixes his SUV and tracks down the trucker — who tells the police he’s never seen Amy. Johnathan Mostow’s tense thriller then follows Jeff’s desperate search for his wife, which eventually uncovers a small town’s murderous secret.

Lisa, a plus-sized African American woman, concludes that her boyfriend broke up with her because of her weight. Now on quarantine lock down and alone, she will now use the next 40 days to try to lose the weight, in hopes of winning him back.

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Henri was raised in a monastery in the Far East and now he lives in America in the deep south where his story begins. As peaceful as he was trained to be, trouble always seems to finds him. Henri’s story is filled with love, action, suspense and adventure.

Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life-dressed like a ninja and summoning him for an ingenious campaign of revenge-he follows. After their all-nighter ends and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues-and they’re for him. Urged down a disconnected path, the closer he gets, the less Q sees of the girl he thought he knew.

The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.