This artful and intimate meditation on the legendary storyteller examines her life, her works, and the powerful themes she has confronted throughout her literary career. Toni Morrison leads an assembly of her peers, critics, and colleagues on an exploration of race, history, America, and the human condition.
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The film chronicles Nina Simone’s journey from child piano prodigy to iconic musician and passionate activist, told in her own words.
While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.
A depiction of the last living generation of German participants in Adolf Hitler’s Third Reich.
A look at abductions in the New England area
Cancer: Few words are more feared. But in her sharply researched, deftly humorous message of hope, survivor Meghan O’Hara (Oscar-nominated producer of “Bowling for Columbine, “Fahrenheit 9/11,” and “Sicko”) changes the way we think about this terrifying disease, showing that it’s time to stop being afraid of cancer and time to make cancer afraid of us. Following her diagnosis, O’Hara met neurologist Dr. David Servan-Schreiber, who was diagnosed with brain cancer while doing cancer research. Together they explore daily Western behaviors that are linked to 70% of cancer deaths: smoking, processed foods, stress, contaminants, and lack of exercise. Narrated and executive produced by Morgan Freeman, “The C Word” is an unflinching look at our complacency with cancer culture, the vibrant cast of characters who are changing the game, and the tools we already have to beat the dreaded scourge of our time. -TCFF database
A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.
A documentary on a former Miss Wyoming who is charged with abducting and imprisoning a young Mormon Missionary.
Virunga in the Democratic Republic of the Congo is Africa’s oldest national park, a UNESCO world heritage site, and a contested ground among insurgencies seeking to topple the government that see untold profits in the land. Among this ongoing power struggle, Virunga also happens to be the last natural habitat for the critically endangered mountain gorilla. The only thing standing in the way of the forces closing in around the gorillas: a handful of passionate park rangers and journalists fighting to secure the park’s borders and expose the corruption of its enemies. Filled with shocking footage, and anchored by the surprisingly deep and gentle characters of the gorillas themselves, Virunga is a galvanizing call to action around an ongoing political and environmental crisis in the Congo.
There are times, especially during a severe thunderstorm, when the power goes out temporarily. A minor inconvenience for most people, since they know that their power will be quickly restored. Even during major events like ice storms, where the power can be disrupted for days or even weeks, the lights will eventually come back on. If the power went out and didn’t return for a year or more, it’s a good bet that panic would set in once people realized something more ominous was happening, other than a temporary power outage. It sounds like a good scenario for a doomsday movie, but this event could actually occur.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
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