Ryden Malby has a master plan. Graduate college, get a great job, hang out with her best friend and find the perfect guy. But her plan spins hilariously out of control when she’s forced to move back home with her eccentric family.

Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.

Clifford Peach (Chris Makepeace), an easygoing teenager, is finding less than easy to fit in at his new high school, where a tough-talking bully (Matt Dillon) terrorizes his classmates and extorts their lunch money. Refusing to pay up, Clifford enlist the aid of an overgrown misfit whose mere presence intimidates students and teachers alike. But their “business relationship” soon turns personal as Clifford and the troubled loner forge a winning alliance against their intimidators – and a very special friendship with each other. Ruth Gordon, Martin Mull, Joan Cusack and John Houseman round out “a truly remarkable cast” (Variety) in this delightful coming-of-age comedy and triumphant tribute to the underdog.

A criminal produces an uncontrollable laughter to the population and Mortadelo and Filemón will have to stop him.

Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.

The Franchise Shane Douglas accidentally kills a wrestler in the ring. The wrestler’s brother Angus seeks revenge by surrendering his soul to an ancient demon to gain the power to raise the undead. Angus then pays for a private show at an empty prison to lure Douglas and his friend Rowdy Roddy Piper into a death trap.

In 1950s small-town Britain, a doctor develops an intimate relationship with her young patient’s mother.

Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.

The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.

The film tells the story of Malony and his education as he grows from a six-year-old into an 18-year-old. A minors’ judge and a caseworker work tirelessly to try to save the young offender.

In the school-set re-working of Cyrano, an awkward but imaginative pupil helps the handsome but spectacularly dim school-hero pursue the fiery daughter of a visiting French teacher.

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