Desperate characters stake their fortune on a Depression-era dance marathon.
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An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.
Rebellious Ki-soo from North Korea is mesmerized by tap dance in prison camps. Ki-soo joins as a team member of a dance team named ‘Swing Kids’. Yet suddenly, their dreams about dancing in prison camps are put in danger.
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A Trans-Siberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
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Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim’s supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music’s the thing.
The year was 1973 . . . Justin Thomas Wilson was hunting the fallen with an ax and a shotgun. Sam, his young disciple, documented their adventures with the first 8mm camera ever to record sound. The story begins but the battle rages on.
A 17-year old Missouri teen named Veronica discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that could follow.
Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
The film portrays Saint Peter reflecting on his time with Jesus and his fellow Apostles during his final imprisonment in Rome. In particular, Peter attempts to convert one of his jailers, Martinian, by relating the life, teachings, and sacrifice of Jesus.
A group of teen-age runaways try to survive in the streets of Los Angeles. Drugs, prostitution, violence and bureaucratic indifference all pose threats to the kids, who nevertheless prefer this harsh life to going back to their families. King, somewhat older, provides some leadership the kids.
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