Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A story of the Jangsan Tiger, who mimics human voices to lure them close, and a family affected by the creature.

When Babo and his brother-in-law Memo, who is also part of Cenk’s clique, go in search of the alleged culprit Serkan, no one is aware yet of the effects this little dizziness would bring. Serkan is threatened, kidnapped, beaten and no longer moves. Memo panics, feels guilty and laments the dreams he has had for a long time and that he did not want all that. He confesses that he has consumed all the cocaine alone with Cenk and his friends, exposing lies to his brother-in-law. At the end of the film, Babo realizes that he may have killed an innocent man.

Two drifters, one a gentle but slow giant, try to make money working the fields during the Depression so they can fulfill their dreams.

Exceptionally ambitious high schooler Matthew has aspirations for a career in politics when he falls in love with his gorgeous 19-year-old neighbor, Danielle. But Matthew’s bright future is jeopardized when he finds Danielle was once a porn star. As Danielle’s past catches up with her, Matthew’s love for her forces him to re-evaluate his goals.

Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.

An immigrant mother fears her schizophrenic teenaged son is turning into a school shooter.

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A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

Every spring, there comes a day when women appear on the streets wearing skirts. Love is in the air on skirt day and the film follows sixteen colourful characters who attend a ‘Cooking Class for Singles.’ They hope to find their match during cooking speed-dates. Will ambitious lawyer Marijke win from her sexy best-friend Danielle? And is the shy Edwin able to put to practice what he learned through lessons on ‘how to seduce a woman’? And what about the founders of the Cooking Class: Alexandra and Bor. Is their marriage as good as Alexandra so desperately needs it to be? We follow them and other characters in this modern day romantic comedy on their collective journey in finding true love.

A daughter and her 60-year-old mother’s arduous 2,300-kilometre trek to Alaska is the thread that binds these intimate portraits together.

Two out-of-work actors — the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail — spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday “by mistake” at the country house of Withnail’s flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.