Air Sex: The Movie is a documentary about the American social phenomenon known as The Air Sex Championships. Think Air Guitar, but instead of pretending to play a musical instrument, participants pretend to have sexual encounters with an imaginary partner (or partners). Entering its sixth year as a nationally touring roadshow, and billed as the world’s first “spart,” Air Sex combines the pageantry and prestige of sports with the creative arts of storytelling, pantomiming, and improvisation. Directed by Jonathan Evans (Sunken City), the film follows Air Sex tour producer/host, New Orleans comedian Chris Trew (America’s Got Talent, Comedy Central), as he attempts to convince crowds of excited, confused, and inebriated audience members to sign up and become part of the bizarre spectacle.

Earthquakes, tsunamis, volcanic eruptions, and extreme weather. Has Earth always been this way? Featuring footage of top geologic hot spots on every continent, the film traces the scientifically-based story of the 4.5 billion-year-old Earth, from the core to the crust and up into the atmosphere.

A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.

The storied high school football rivalry between two Akron, Ohio parochial powerhouses and the city that embraces them.

A look at the roots of the historic music scene in L.A.’s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.

Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.

Four women find purpose carrying babies for strangers in Boise, Idaho — the unofficial surrogacy capital of the United States — and encounter complexities along the way.

In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.

In February 2022, The Boy Scouts Of America reached a $2.7 billion agreement over sex abuse claims, the largest such settlement in history. Leave No Trace explores how this all-American institution went so horrifyingly wrong.

A keen observation of a sun-dappled and still-watered swamp, Uncertain contemplates a frequently overlooked and enigmatic town whose lake, and only real source of income, comes under threat from an aquatic nuisance of the botanical variety. Perhaps unsurprisingly for a site so-named, there is a lack of consensus about the Texas town’s origin: whether the result of a surveyor’s confusion when marking an early map, or steamboat captains’ belief that docking there was an unknowable, impossible task, an auspicious beginning is offered for the unsettled and yearning inhabitants.

A documentary on a former Miss Wyoming who is charged with abducting and imprisoning a young Mormon Missionary.

Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner’s doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.