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Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!

Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that’s what they’ve told the parole board. But when they arrive back at the park, they find it’s not the same old Sunnyvale – and it’s not the same old Jim Lahey, Trailer Park Supervisor.

Louis, a terminally ill writer, returns home after a long absence to tell his family that he is dying.

Stuck is how Imari Jacobs views his mundane marriage with Adea. With no spontaneity in their relationship, Imari questions if he can continue in the marriage. Imari finds excitement when he meets Phoebe, a breathtaking supermodel. From that moment, her beauty bewitches Imari. In time, Imari learns the hard way that his infatuation with Phoebe may be deadly.

A man who figures out the hard way agoraphobia isn’t his biggest problem.

An urban love story set on the hard streets of the Bronx. A struggling female pimp, named Wednesday, grows up learning the game from her dad. Once he’s gone she’s left to look out for her prostitute mother and girlfriend Nikki.

A young actress seeking a life away from adult movies moves to Florida insearch of a new identity. Her newfound peace is shattered when local thugsrecognize her.

Thirteen years ago, Aiden Ashley’s world was torn apart after an online stalker followed her into the real world and broke into the Ashley family home to claim the object of his desire. The resulting night of terror ended with the murders of both Aiden’s mother and father. The stalker escaped the scene without Aiden seeing his face; he is gone without a trace, an unknown man, a murderer now watching Aiden’s every move. To escape this danger Aiden spends the next 13 years offline, in therapy and secluded anonymity. Who should Aiden trust in a web of deception where no one may be who they seem? There is nowhere for Aiden to hide when someone wants to love her to death.

Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he’s determined to snatch romance from ingratitude.

Caught in the crosshairs of police corruption and Marseille’s warring gangs, a loyal cop must protect his squad by taking matters into his own hands.

Chernobyl: Abyss is the first major Russian feature film about the aftermath of the explosion at the Chernobyl nuclear power station, when hundreds of people sacrificed their lives to clean up the site of the catastrophe, and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone.