On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to … lovers?

Fate, the pensions crisis and a steadfast refusal to accept the injustice of old age have contrived to force law abiding, retired couple, Arthur and Martha Goode into a life of crime.

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

When a woman learns that her father has passed away, she must confront the past (and the town) she left behind.

A hotel room in the center of Rome serves as the setting for two young and recently acquainted women to have a physical adventure that touches their very souls.

Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe begins to feel neglected and betrayed by Peter, who is focused on gathering information for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of trust by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within each of us, the impressionistic story oscillates between the super-confined interiors of the ship and the vast open spaces of Antarctica. In the end, it’s not until Chloe and Peter are lost – perhaps literally, perhaps metaphorically – in the Antarctic ice that they discover how essential one is to the other.

Struggling In his freshman year of college, Brandon tries to focus intently on his studies but keeps coming to the same conclusion: dance is his passion. His geeky roommate Nate proposes they start a dance crew, but their search for other freestyle dancers proves fruitless. So they expand their search across town, finding a break-dancer, a performance artist, a Bhangra dancer, an animator, a ballerina, and a ballroom dance mom willing to join the new crew. A national dance battle headlined by Brandon’s previous crew, Levelz, provides the first opportunity for Brandon to prove to himself and his family that he and his crew have what it takes to make it as dancers.

Director Eva Sørhaug (Cold Lunch) reveals the rage and violence lurking beneath seemingly tranquil domesticity in her bold and uncompromising sophomore feature.

An air-traffic controller quits after a plane crash but, years later, goes to help an airport that is in the path of a terrible storm.

Forensic psychologist Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down “Casanova,” a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.

We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.

A portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.