Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.

In the not-too-distant future the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest try to negotiate for their immortality. A poor young man who comes into a fortune of time, though too late to help his mother from dying. He ends up on the run from a corrupt police force known as ‘time keepers’.

While managing a run down abattoir, young Muslim Raghdan Aziz stumbles through cultural chaos and generational conflicts, dealing with enraged fathers, stoned buddies and an alleged ex-lover of his girlfriend.

A stressed-out police officer struggles not to give in to the paranoia that grips his small mountain town as bodies turn up after each full moon.

An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near fascist “party” that promotes male sexual dominance and which attracts a couple of other unsavoury confused characters.

Polish film and music icon Kalina Jedrusik, a scandalous free-spirited sex symbol, fights for her independence in the prude society of the 1960s.

After getting his heart broken by his childhood sweetheart, Tom Campbell escaped from his home town to join the military. Years later, Tom returns home with the news of his grandmother’s failing health and business. A town treasure, Cupid’s is known for its enchanting reputation of guiding guests to find love. Chelsea, the mayor and Tom’s ex-flame, takes advantage of this bad news and devises a scheme to get the property sold to make way for a mall. Although pressured to save the bed and breakfast, Tom’s history of heart break makes it difficult to stand up for such a symbol of love. Sharing in his skepticism of love is Nancy, a new police officer in town. With Nancy’s encouragement, Tom just might make the effort to keep the landmark afloat after all.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.

Joan Wilder is thrust back into a world of murder, chases, foreign intrigue… and love. This time out she’s duped by a duplicitous Arab dignitary who brings her to the Middle East, ostensibly to write a book about his life. Of course he’s up to no good, and Joan is just another pawn in his wicked game. But Jack Colton and his sidekick Ralph show up to help our intrepid heroine save the day.

An outrageous cut-rate producer, Charlie LaRue (Christopher Meloni) is about to fulfill his lifelong dream to make a movie about the most offensive, dirtiest jokes ever told.

Joy Holbrook, is a corporate market researcher, gunning for a promotion within her firm. Just as her company’s CEO is taking notice, Joy finds out her Aunt Ruby has broken her ankle and will be undergoing surgery. Despite the less than opportune timing, Joy makes her way back home to Crystal Falls, NC to be with her Aunt. Stars seem to be aligned as Joy sees her former crush, Ben Andrews, while at the hospital. At first, Joy is focused solely on helping her Aunt heal; even taking over her position as chair of the local Cookie Crawl competition. Eventually, she begins to let Ben in and remembers there’s no place like home for the holidays. The pair work together on the Cookie Crawl to make the event a success.