A woman discovers that severe catastrophic events are somehow connected to the mental breakdown from which she’s suffering.

1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There’s tension from the beginning, that always threatens to erupt in violence from both sides.

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An MP’s son-in-law and mayoral candidate takes a trip with his girlfriend to a vacation home and meets a mysterious neighborhood boy and his friends.

When Roger (a Robin Hood-esque, stray dog) and Belle (an elegant yet spoilt pet cat) are thrown together amidst the chaos of a robot take-over of their home city, they must push all their preconceptions aside in order to survive, as they embark on a high-stakes, action-packed adventure.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”

Scooby-Doo and Shaggy must go into the underworld ruled by the Goblin King in order to stop a mortal named The Amazing Krudsky who wants power and is a threat to their pals, Fred, Velma and Daphne.

After a zombie apocalypse spreads from a London prison, the UK is brought to its knees. The spread of the virus is temporarily contained but, without a cure, it’s only a matter of time before it breaks its boundaries and the biggest problem of all… any zombies with combat skills are now enhanced. With the South East of England quarantined from the rest of the world using fortified borders, intelligence finds that the scientist responsible for the outbreak is alive and well in London. With his recovery being the only hope of a cure, a squad of eight Special Forces soldiers is sent on a suicide mission to the city, now ruled by the undead, with a single task: get him out alive within 72 hours by any means necessary. What emerges is an unlikely pairing on a course to save humanity against ever-rising odds.

In the thick heat of central Florida, Rosie, a musician fresh out of high school, can’t shake her boredom. Before long, she meets Jules, a hustler from New York. She falls hard for his streetwise charms and his easy confidence. On the other side of town, Brandon returns home after a decade in prison, but his transition to life on the outside is dogged by the scars of his past. The summer drags on, pushing these three characters together down a dangerous path.

Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun’s mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what’s the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.

After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he’s not the only one after her. Vince has discovered that she’s still alive.