Slowed by age and failing eyesight, crack baseball scout Gus Lobel takes his grown daughter along as he checks out the final prospect of his career. Along the way, the two renew their bond, and she catches the eye of a young player-turned-scout.

Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over, after a horse crushed his skull at a rodeo. Back home on the Pine Ridge Reservation, with little desire or alternatives for a different way of life, Brady’s sense of inadequacy mounts as he is unable to ride or rodeo – the essentials of being a cowboy. In an attempt to regain control of his own fate, Brady undertakes a search for new identity and what it means to be a man in the heartland of America.

Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.

Jessie deals with a bad breakup, by purchasing a sheet of acid to share with his friends back home in Missouri. He hopes this will erase the bad memory of his college girlfriend, delivering the heartbreaking news to him, during sex. Departing New Orleans, Jessie detours onto Route 61, seeking a change of routine from the monotony of the Interstate. Unexpectedly, his engine fails at a forgotten trailer park in Cleveland, Mississippi. Fearful he’s about to be harmed by bikers, Jessie exchanges hits of L.S.D. for safe passage home. During the ebb and flow of the day, Jessie experiences the extraordinary in the pedestrian, whilst resurrecting the lives of many. Inspired by a true misadventure.

Seven people with seven love stories. They ignite the love and hate hidden under the table. In this battle of love, who will survive and who will lose? When the boundary between lies and truth has blurred, who can tell if the others are sincere or not? When one says, ‘ I love you’, does one mean it or it’s just another ‘design’?

A young burnout discovers his estranged father is dead, leaving him the responsibility of managing an apartment complex. With hopes of cutting ties, he’s forced to grow up, learning about the dad he never knew through the eclectic tenants.

An American girl, Daphne, heads to Europe in search of the father she’s never met. But instead of finding a British version of her bohemian mother, she learns the love of her mom’s life is an uptight politician. The only problem now is that her long-lost dad is engaged to a fiercely territorial social climber with a daughter who makes Daphne’s life miserable.

Based on the series by the popular Japanese novelist Keigo Higashino, this is a mystery drama that ‘faithfully but freely’ adapts the 3rd part in the series, . The story revolves around 3 characters: a woman who unwittingly killed her husband, a math genius next door who sets up a perfect alibi for her out of his attraction toward her, and a detective who closely traces her, finding the alibi suspicious.

Based on a play by Sean Minogue, PRODIGALS tells the story of Wesley (David Alpay, ARARAT), a man who left his hometown of Sault Ste Marie, Ontario five years earlier with big dreams. He is compelled to return to this small town from Toronto to testify in a court trial on behalf of an old friend who is charged with murder. His ex-girlfriend (Sara Canning, HELLO DESTROYER) is now involved with another man, though he still feels attracted to her. His friends seem to expect him to be the hero who will turn the court case around. All of this is a lot of pressure on a guy who never really wanted to return home in the first place. PRODIGALS is directed by Michelle Ouellet (AFTERPARTY) with a strong Canadian cast also starring Kanelito Horn, Nicholas Carella and Jamieson Parker.

A world-class hitman ends up swapping identities with a down-to-luck extra actor during an accident.

Detective Philip Marlowe is hired by hulking Moose Malloy to locate his old girlfriend that he lost track of while serving time in prison. With each lead he follows, Marlowe encounters lies, larceny, perjury, theft and a beautiful femme fatale. Based on Raymond Chandler’s novel “Farewell My Lovely”, which was also the film’s title in the United Kingdom.

This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.