A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

Set in 2006 and based on the true story of Elizabeth Shoaf, this powerful film explores the tension-filled ten days Elizabeth was kidnapped and held prisoner by Vinson Filyaw. Imprisoned in a secret underground bunker hidden deep in the woodland, Elizabeth finds herself at the mercy of an erratic and dangerous fantasist who dreams of one day making her his wife…​ While a massive police hunt unfolds above ground, it falls to Elizabeth to somehow outwit her captor if she is to survive…

Birdee Pruitt has been humiliated on live television by her best friend, Connie, who’s been sleeping with Birdee’s husband, Bill. Birdee tries starting over with her daughter, Bernice, by returning to her small Texas hometown, but she’s faced with petty old acquaintances who are thrilled to see Birdee unhappy — except for her friend Justin. As he helps Birdee get back on her feet, love begins to blossom.

The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.

Depicts the love lives, jealousies and desires of those that work within the Sanguiwon during the Joseon Dynasty period. The Sanguiwon are responsible for the attire worn by royalty. Dol-Seok (Han Suk-Kyu) is the best master artisan in charge of royal attire. He views set rules as paramount to his job. Kong-Jin (Ko Soo) is a genius like designer, born with dexterity and an excellent sense. He was brought to the palace by nobleman Pan-Soo (Ma Dong-Seok) who first spotted his talent. The King (Yoo Yeon-Seok) and Queen (Park Shin-Hye) then become embroiled in a critical case because of the royal attire made by Dol-Seok and Kong-Jin.

Young Bart Collins lives with his widowed mother Heloise. The major blight on Bart’s existence is the hated piano lessons he is forced to endure under the tutelage of the autocratic Dr. Terwilliker. Bart feels that his mother has fallen under Terwilliker’s sinister influence, and gripes to visiting plumber August Zabladowski, without much result. While grimly hammering away at his lessons, Bart dozes off and enters a fantastical musical dream.

The once unconditional friendship between police officers Vincke and Verstuyft hits a very rough patch when they come up against a series of gruesome murders. Complicating matters even further, a survivor of the killer drives a wedge between them when Verstuyft falls for her charms. Meanwhile, the serial killer has a new victim in sight…

After a heist gone wrong Tom, a low rent criminal is forced by the local crime boss to kill his partner and best friend. Setting off into the Mojave desert under the guise of moving a body they buried two years ago, Tom delays the deed just long enough for a cadre of colorful characters to descend.

Toulon, a puppet maker, discovers an ancient Egyptian potion and uses it to bring his creations to life. His puppets become murderous little demons and escape. Distraught, the master takes his life. Years later, psychics tune into the existence of the monstrous marionettes and set off to stop them.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.