Three degenerates battle the demons of grief in a fantasy-world they’ve built around themselves.
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Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.
The zombified leaders of the free world rise from the dead to hunt down a group of ill-fated teens and give them a lethal lesson in American history. Their only hope for survival is to summon the demonic spirit of John Wilkes Booth.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
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En route to a party, two strangers get stuck in an elevator on New Year’s Eve — and find themselves connecting in unexpected ways.
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