Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?
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Sheffield, England. Gaz, a jobless steelworker in need of quick cash persuades his mates to bare it all in a one-night-only strip show.
The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
A woman who finds a pair of pink high heels on a subway platform soon realizes that jealousy, greed, and death follow them wherever they go.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Tough narcotics detective ‘Popeye’ Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.
In the wake of his father’s suicide, young record collector Ollie Sway returns to the family lake house with his friend Nikolai in tow to lay claim to an invaluable jazz recording. An unexpected visit from Ollie’s estranged grandmother and a chance encounter with a girl from across the lake derail their search, forcing them to confront the Sway family history and a suffering that has resounded through generations.
In the early 2000s, two brothers found tremendous success when their company began selling a device that has been called ‘the biggest revolution in law enforcement since the radio.’ But as their company grew, they made decisions that would have lasting impact on both the public and their increasingly skeptical customer base.
Alexia Bissett, ex actress turned producer, lives in New York where she now produces gay cinema. After being called to take care of a situation which involves her young mute brother Christi, she decides to send her right hand man Maxwell to deal with it instead. Alexia owns an apartment complex in California called Luna Park, where her young actors stay while on location. Christi is the apartment caretaker and has been caught hiding in the closet of one of her actors he has a crush on. Maxwell feels indebted to Alexia for taking him off the streets and accepts the task with little protest. When Maxwell and Christi fall in love, Alexia is suddenly forced to deal with the secrets of her past, one of which threatens the boys young love in a way they can’t even imagine
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