In 1983 two young racing drivers where fighting for supremacy in the British Formula 3 series. Winning the championship would guarantee them a place in Formula 1 for the next year. It was a time when junior formula racing was still simple and raw; a time when the driver was in charge of winning.

Researchers from New Zealand investigate about the mysterious attacks of orcas to great white sharks in South Africa in 2017 and seek to discover if it will happen again.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack

Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.

A fascinating look at how American agricultural policy and food culture developed in the 20th century, and how the California food movement rebelled against big agribusiness to launch the local organic food movement.

The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.

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The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio man’s moves to Brooklyn, New York, to throw an unprecedented block party.

Commentator-comic Bill Maher plays devil’s advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ’s existence, Jewish Sabbath laws, violent Muslim extremists.

haveababy is a profile of patients of a Las Vegas fertility clinic. Each year, the clinic hosts a YouTube-based competition called “I Believe,” which gives one lucky couple a shot at an in vitro fertilization treatment they could not otherwise afford. Hundreds of couples apply, yet there can be only one winner.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.