The unhappily married woman struggles to break free from social pressures and her boring suburban setting.

Senior investment banker Naomi Bishop’s world of high-power big money is brutal and fierce, and one she thrives in. When a controversial IPO threatens the fragile balance of power and confidentiality, Naomi finds herself entangled in a web of politics and deception.

Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.

When Bella Swan moves to a small town in the Pacific Northwest to live with her father, she starts school and meets the reclusive Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward’s repeated cautions, Bella can’t help but fall in love with him, a fatal move that endangers her own life when a coven of bloodsuckers try to challenge the Cullen clan.

Chul-Soo is the only son of a legendary thief family. He falls in love with Young-Hee who is a police officer. Her family is also a police family. To get her parents’ permission to marry, Chul-Soo undertakes an exam to become a police officer, but both families work to prevent their marriage.

When a visitor arrives in a small Italian village, he discovers that the residents are acting like soul-less zombies–and he begins to suspect that they may be under the influence of a mysterious local woman.

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

A special military operative trains ten models to be skillful soldiers in an effort to free a hostage in a remote island.

The story of California’s first openly gay elected official, Harvey Milk, who became an outspoken agent for change, seeking equal rights and opportunities for all. His great love for the city and its people brought him backing from young and old, straight and gay, alike – at a time when prejudice and violence against gays was openly accepted as the norm.

Based on a famous Thai erotic novel, the film tells the story of Jan, a boy who grows up in a house lorded over by his sadistic and debauched father, Luang Wisnan. Set in the 1930′s the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his father. Jan grows up with Aunt Wad, his stepmother, and he struggles to reconcile his guilt and longing with different women in his life, including a girl called Hyacinth, whom he adores, and later Madame Boonleung, his father’s lover who becomes a key to Jan’s sexual awakening.

Faced with numerous obstacles and pressure to exceed her Mums expectations, 12-year-old Liverpudlian tomboy Aliza tries her best to raise money to save her fathers dance studio from permanent closure. While adapting to new London inner-city life, Aliza finds comfort in Teon, a shy, charming boy who lives in her block of flats and finds a new rival in national sweetheart and triple threat, Sophie Wallis. This coming of age tale depicts the story of being more than your surroundings with song, dance and grit taking centre stage.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)