Carson McCullers stage hit brought to the screen by Fred Zinnemann starring Ethel Waters and Julie Harris. Tomboy Julie Harris dreams of running away with her brother and new fiancee away from the Deep South.

Eighties teen romp involving Bill and his new apartment, Jim and his rebellious antics, Tom and his crazy self, and Anita with her older man David.

When his wife’s murderer is released due to a procedural error, Luc will do everything in his power to stop it from happening… He is going to take justice into his own hands and will then compete with the constitutional state which let him down.

Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.

A documentary/drama about the training of bombardiers during WWII. Major Chick Davis proves to the U.S. Army the superiority of high altitude precision bombing, and establishes a school for bombardiers. Training is followed in semi-documentary style, with personal dramas in subplots. The climax is a spectacular, if somewhat jingoistic, battle sequence.

A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior – both of which still haunt him decades later.

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A mismatched team of British Special Services agents led by an American must infiltrate, in disguise, a female-run Enigma factory in Berlin and bring back the decoding device that will end the war.

An ordinary woman makes an extraordinary decision which will change her life forever.

Gambling fever — along with a brutal bookie — leads three crooked cops into a double-dealing scheme that lands them in hot water way over their heads.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star — the first totally believable synthetic actress.

“Life is simpler in black and white.” This line, uttered midway through Bored in the U.S.A., could well serve as the film’s thesis statement. Following the budding friendship of Kelly (Kelly Lloyd, Baltimore Improv Group), a bored housewife, and Chris (Chris Milner, Comedy Central), a displaced Londoner, this film takes an honest look at life by disposing of conventional on-screen relationships. Bored exposes the inherent drama in the silences between what people say and don’t say to each other.