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The story focuses on a group of thirtysomething guys who head up to the Hamptons to a buddy’s bungalow to throw a bachelor party for another friend. Once there, a group of middle-aged, overweight hookers (who look nothing, NOTHING like the girl on the cover. . . not even a little bit!) stop by randomly and give the boys a show. Unfortunately, they’re possessed by some type of evil/demonic force and they started to kill the guys off (mostly during sex) one by one.

One of the biggest comedians in Germany, Carolin Kebekus, mixes festive nostalgia and social commentary with her signature edgy wit to poke fun and challenge ‘the most wonderful time of the year’.

Inspired by somewhat true events, “Get Big” follows the misadventures of two friends as they reconnect to attend a high school classmate’s wedding. Alec is the charming troublemaker, while Nate provides the neurotic and awkward foil to his friend’s unpredictable antics. “Get Big” takes place over the course of a crazy 24-hour period during which Alec and Nate cross paths with oddball cops, curmudgeonly neighbors, drug dealers, psychopaths, escorts and pretty girls, all while the clock ticks down their classmate’s big moment.

Flint is again called out of retirement when his old boss finds that he seems to have missed 90 seconds while golfing with the president. Flint finds that the president has been replaced by an actor (Flint’s line [with a wistful look] is “An Actor as President?”) Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.

Cracker County is under attack and lovesick dog catcher Bubba Blanche has been transformed into a ferocious, cigar smoking Werewolf in order to save the day. But first he’s got to conquer a beer or two. And maybe a plate of chicken wings.

This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.

A dethroned queen bee at a posh private high school strikes a secret deal with an unassuming new student to enact revenge on one another’s enemies.

Jade, a news producer heads to the Caribbean for relaxation, only to fall victim to a rental scam. Serendipitously, she befriends the real owner, Ford, and discovers fun and romance.

When a workaholic young executive (Kristen Bell), is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father (Kelsey Grammer). The two depart as strangers, but over the course of a few hilarious adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life.

When underappreciated video specialist Joe Scheffer is brutally humiliated by the office bully Mark McKinney in front of his daughter, Joe begins a quest for personal redemption. He proceeds by enduring a personal make-over and takes martial arts lessons from a B-action star. As news spreads of his rematch with Mark, Joe suddenly finds himself the center of attention, ascending the corporate ladder and growing in popularity. He’s determined to show everyone in his life that he is not a nobody, but a force to be reckoned with.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other, but also their own legacies. Who will be left when the cameras finally start rolling?