When an old-school bar owner and his unruly daughter get caught up in a cat-and-mouse game of corporate espionage, it will take brains, brawn and help from the lesser of two evils to make it out alive.

Paranoia and fear set in and five friends begin to turn on each other when they must hole up in a deserted holiday home after a botched robbery.

Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men.

10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.

A family find themselves terrorized by their eight-year-old son’s imaginary friend.

When Jacob tells Jesus that his son, Lazarus, is dead, Jesus goes to his home to resurrect him. Only, this is the first time that Jesus has ever tried to bring back someone from the dead. You do not always get it right the first time. What follows is a gore-tastic nine minutes of Biblical splatter violence and comedy. Even our Lord and Savior goofs up once and a while. But he makes amends. Big time.

An enterprising youngster in a slum wants his people to lead a life of dignity, but has to take on an ambitious capitalist, who only wants to dominate his field.

A series of interviews are conducted with convicted serial killer Ted Bundy in hopes of gaining insight into the Green River Killer who is terrorizing Seattle.

Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors. Mora performs a mermaid act at the carnival, but to her it’s no act: she believes herself the descendant of an underwater race that must kill by the light of the full moon to survive. One evening, Mora tries to kill Johnny, prompting his quick exit. He returns some time later to discover, all too late, that the film’s real villain is the jealous carney owner (Gavin Muir).

A young aspiring musician preparing for a competition, is incredibly confidant and gets herself involved in a frightening trap that she has to find her way out of. It raises the question: If an insane person is telling a story, is it real?

Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.

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