James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
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On October 16, 1992, an impressive and eclectic group of artists gathered at Madison Square Garden in New York City for the purpose of celebrating the music of Bob Dylan on the occasion of his 30th anniversary of recording. Bringing together musical greats as far-flung as Johnny Cash and Eddie Vedder, The Clancy Brothers and Lou Reed, the four-hour show celebrated a truly remarkable lifetime of songs in front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured a cast of musical notables performing carefully chosen and often surprising selections from the incomparable Dylan songbook. At evening’s end, the man of honor himself appeared on stage and gracefully brought it all back home again. In a world where all-star celebrity gatherings have become commonplace, the Bob Dylan celebration stood out as, first and foremost, a legitimately memorable musical event.
A comprehensive look at the events leading up to the Battle of the Little Bighorn as well as the myths and legends it spawned, and its impact on history.
Introducing his never before seen ‘leaping one-hander’ to the masses on a national level, Kenny Sailors quickly grew to be a fan favorite while leading his Wyoming Cowboys to the Collegiate National Championship in Madison Square Garden in 1943. But after playing on several losing teams in an unstable, emerging league now known as the NBA, Kenny disappeared into the Alaskan wilderness only to be forgotten by the sport he helped pioneer. Now, nearly sixty years later, the multitude of people he has touched along the way have forced Kenny’s humble reemergence.
An impressive bottle of fine Scotch is in your hand. From barley to barrel, who made it and how did they do it?
Queen’s performance at Live Aid at Wembley Stadium in 1985 is often regarded as Rock’s greatest live performance of all time. Their set lasted 21 minutes and consisted of “Bohemian Rhapsody”, “Radio Ga Ga”, “Hammer to Fall”, “Crazy Little Thing Called Love”, “We Will Rock You”, and “We Are the Champions”. Mercury and May returned later on to perform a version of “Is This the World We Created?”
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Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
She’s savagely upbeat. Lovably awkward. And full of surprises. A wildly funny trip through a one-of-a-kind comic mind.
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