While on vacation in Los Angeles, the lives of a young Canadian couple are torn apart by an unspeakable act of violence.
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Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn’t give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
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