Clover is finishing a veterinary course when her brother dies and she is called home to her family’s struggling Somerset farm.
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Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
A mysterious suicide and a series of unmanned robot run-aways sparks off a Police investigation into the suspicious software on-board thousands of industrial robots around Tokyo.
The film tells the tragical story of the life of Lola Montes who was a great adventurer and stopped being the attraction of her circus after having been the lover of various important men.
Ciro’s body is sinking in the dark waters of the Gulf of Naples. And as it sinks deeper and deeper, memories emerge. The sounds muffled by the water merge with the screams of fleeing people. It is 1980, the earth shakes, the palace collapses, but under the rubble you can hear the cry of a newborn baby still alive. Ten years later, we find that new-born baby as it survives as it can on the streets of Naples, nobody’s son. Vivid memories of a criminal education that made him what he is: Ciro Di Marzio, the Immortal. Prequel of the “Gomorra” tv show.
Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo and Scott Base, Anthony Powell’s documentary is a potent hymn to the icy continent and the heavens above.
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They’re friends, sometimes lovers and often both.
Aidan Bloom, a struggling actor, father and husband, is 35 years old and still trying to find a purpose for his life. He and his wife are barely getting by financially and Aidan passes his time by fantasizing about being the great futuristic Space-Knight he’d always dreamed he’d be as a little kid. When his ailing father can no longer afford to pay for private school for his two kids and the only available public school is on its last legs, Aidan reluctantly agrees to attempt to home-school them. Through teaching them about life his way, Aidan gradually discovers some of the parts of himself he couldn’t find.
Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them.
Paul is agonising over his interpretation of ‘Uncle Vanya’ and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
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