In Part 7, the filmmakers explore what’s lacking in modern German schoolgirls.

An Irish undertaker profits when outlaws take over a peaceful town, but his own family come under threat as the death toll increases dramatically.

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

A conservative church-choir director moves to San Francisco to run her deceased gay son drag club.

A store clerk and an ice cream truck driver are thrown together when a dying scientist entrusts them with a deadly chemical kept in ice. This chemical will kill every living thing once it melts. They have to take the chemical codenamed ‘Elvis’ to the next nearest military base while being chased by terrorists who want it to hold the country for ransom.

It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada’s corpse, and the odd caravan sets out on horseback for Mexico.

Rita, a witty 26-year-old hairdresser, wants to ‘discover’ herself so she joins an Open University where she meets the disillusioned professor of literature, Dr. Frank Bryant. His marriage has failed, his new girlfriend is having an affair with his best friend and he can’t get through the day without downing a bottle or two of whisky. What Frank needs is a challenge… and along comes Rita.

Mary Stuart, considered by many the legitimate sovereign of England, attempts to overthrow her cousin Queen Elizabeth I, only to find herself condemned to years of imprisonment before facing execution.

A mother and her son plan a surprise visit to Los Angeles to see her husband/his father. Halfway there they get into a terrible accident in the middle of nowhere and now must fight to survive.

The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto (Kaoru Kobayashi) and the new stud who comes into her life, Ryota Kinoshita (Gou Ayano). Tomoko (Hikari Mitsushima) is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.

A look at what goes on backstage during the last broadcast of America’s most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court