10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.

Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.

Five friends on a small airplane mysteriously lose their radio connection on a trip from New York to LA. As they continue their flight, they’re forced to assume that a major disaster happened on the ground. They discover a stowaway, Erik, who urges them not to land at any cost. Before they run out of fuel, they must find out the truth.

Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.

An outlaw and his ex-con grandfather team up for a big score, but a ruthless killer stands in their way.

After a train robbery, two brothers leading a gang of cowboys must survive the night in a ghost town inhabited by a coven of witches.

The horror begins as Ayla and her high-school friends discover a hideous, semi-human mutant. They keep it prisoner while shooting repulsive viral videos, but the gang’s hunger for “likes” drives them to film the beast performing murderous acts. When one boy sees that Ayla is using the monster’s gruesome violence to settle her own vendettas, he threatens to tell the authorities, but is he too late to save his friends?

THE RAKING tells the story of a group of college students who set out to debunk an urban legend in Joshua Tree, California for their anthropology thesis, only to find that they become part of the legend themselves.

Six years ago, Robert Kenner, a mild mannered postman from Peckham, South London was struck by a meteor which bestowed him with super powers. Today, Bob is an overworked under-appreciated “civil servant” for the British government. He spends most waking hours saving people and filling out forms. There has been no time for anything else. Least of all love. But today he has a day off. And best of all, he has a date with the woman he once met at the library. Now all he has to do is act as if this isn’t the most exciting day of his life. Apparently that puts people off.

Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn’t accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty’s guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he’s learned to care about in danger, still trying to win Selah. But some things can’t be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.

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Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.